| Carl Fischer, Inc. documents |
| title | Number of documents |
|---|
| 13 ghostly tales. Edited by Freya Littledale, illustrator: Wayne Blickenstaff, You | 30 |
| Ain't got a thing (to complain about) By Leonard Ahlstrom, Song of innocence, Love is a beautiful feeling | 30 |
| A Manual on how to play the 5-string banjo for the complete ignoramus!, Bernadine Moore organ course | 22 |
| A New look at familiar melodies. For piano. Compilation and arrangements: Chart Music Publishing House, Inc., as employer for hire of Hazel Cobb | 30 |
| Angels from the realms (Angels we have heard on high) (Masters in this hall) | 27 |
| An historical anthology of select British speeches. By Donald C. Bryant, Carroll C. Arnold, Frederick W. Haberman, Richard Murphy & Karl R. Wallace | 30 |
| A Psalm of David. For chorus of mixed voices & piano. Music: Norman DelloJoio, adaptation of English text: Carl Fischer, Inc., employer for hire of Nathaniel Pratt, pseud. of Gustave Reese | 30 |
| Be still ; I will love you ; In my head ... et al, The Lord is my rock, Consumer economics & 1 other title | 28 |
| Bread from heaven ; His everlasting love ; Flow through my life ... [et al.], First fruits of Little Rock | 30 |
| Bring my Lulu home. From American ballads and folksongs. For voice & piano. Collected by John Lomax & Alan Lomax, arr. by Celius Dougherty | 30 |
| Collection of songs: Lina Koutrakos & Dick Gallagher, Thunder, Singing in your sleep | 30 |
| Concerto for cello and orchestra: II. lento con grande espressione. From Music of Miklos Rozsa | 30 |
| Concerto. For solo for B-flat trumpet (cornet), B-flat clarinet, oboe, or horn in F with piano acc. By Leopold Mozart, editing: Clifford Lillya & Merle J. Isaac | 27 |
| Create in me a heart willing/the contemp | 30 |
| Dance of the comedians. By F. Smetana (Bedrich Smetana), arr. for trumpet and piano: Rafael Mendez | 30 |
| Dark star. By Michael Hart, William Kreutzmann, Robert Hunter, Jerome Garcia, Philip Lesh, Robert Weir & Ronald McKernan | 30 |
| David danced with joy before the Lord, I am, Give Him your heart | 27 |
| Despite and still. Op. 41. Song cycle for voice & piano. w Theodore Roethke & James Joyce, m Samuel Barber | 30 |
| Didn't my Lord deliver Daniel? Arr. for mixed voices (S.A.T.B., accompanied): Walter Ehret and Joyce Barthelson | 26 |
| Done caught a rabbit; folk song. Arr. for 3-part chorus of mixed voices and piano: Warner Imig & Carl Fischer, Inc., as employer for hire of William N. Simon | 30 |
| Early California; from Spanish times to the Gold Rush. For soprano, alto, baritone & optional alto-tenor with narrator & piano. Text: folk origin & Stephen Foster [i.e. Stephen Collins Foster], m & arr. Robert Choate & Merle J. Isaac part 2 | 30 |
| Early California; from Spanish times to the Gold Rush. For soprano, alto, baritone & optional alto-tenor with narrator & piano. Text: folk origin & Stephen Foster [i.e. Stephen Collins Foster], m & arr. Robert Choate & Merle J. Isaac part 3 | 29 |
| Early one morning. SATB. Arr. Clayton F. Summy Company, employer for hire of Robert Olson (Jon Roberts) | 30 |
| Fantasia (quasi variazione) on the "Old l04th" Psalm tune. By Ralph Vaughan Williams, arr. for piano solo with chorus & orchestra: Ralph Vaughan Williams, Biblical words, metrical version by Thomas Sternhold & John Hopkins | 30 |
| Feed my sheep. Original solo setting to words by Mary Baker Eddy (high and low voice): Trustees under the Will of Mary Baker Eddy, employers for hire of Nan Butcher | 30 |
| Finger fashions for piano; popular piano versions of 12 famous themes, featuring 2-hand melody playing. By Stanford Francis King | 30 |
| Fleur de lis; solo for cornet, baritone, or tuba with piano acc. m Earl D. Irons | 30 |
| Flight of the bumblebee. Music by Rimsky-Korsakow [i.e. Nikolai Rimsky-Korsakov], solo trumpet with band acc. arr. Harry James, orchestration: A. L. Phillips | 30 |
| Folk-ways U. S. A. Book 2: A Progressive series of American songs, scenes, and sketches for piano. By Elie Siegmeister | 30 |
| For the Christ Child. For voice and piano. m Claude Champagne, poem Amy Bissett England | 30 |
| Gettin' me ready for you & 3 other titles, Songs of my heart, God makes the rivers flow | 30 |
| Hello, baby. Words & music by Lorraine O. Johnson, piano arr. Leo Richard & Hector Richard | 30 |
| Henry Brant on the nature of music, Solar moth, Echoes of secret silence | 25 |
| Hymn of praise. For SSA with piano. By Felix Mendelssohn-Bartholdy, arr. Ernest Read | 30 |
| Hymns of prayer and praise. Ser. 1. For primary & junior voices. Words, music & ill. William Grime & Carl Fischer, Inc., as employer for hire of Don Kelly, Charles E. Steele, Lew Lawrence & William Travis | 25 |
| I ain't down yet. From the Broadway musical, The Unsinkable Molly Brown. Band arr. Frank Music Corporation & Rinimer Corporation, employers for hire of Paul Yoder | 30 |
| I know that mind unfolds; sacred song. Words: Harold H. Keniston, music: Helen Ingle Ezell | 25 |
| Introduction and finale to "Die Fledermaus is born." Themes by Johann Strauss, Jr | 30 |
| Island part 2 | 30 |
| I want to play country and western music!, Don't you make her mad, When it's on | 27 |
| Jesus is my Saviour. Keep me in the shadow of the cross. The Master of each problem. Folder no. 5. Words & melody: Ethel M. Smith, harmony: B. B. Edmiaston | 30 |
| Jesus makes my heart rejoice. For two-part chorus of treble voices with piano or organ. Based on a tune from Grimm's chorale book 1775. w Louise VonHayn, m & setting of text: Carl F. Mueller | 30 |
| Jim Henson's Muppets present Rowlf's very own first piano book, A Christmas gathering | 30 |
| Jim Henson's Muppets present Rowlf's very own first piano book, Lynn Freeman Olson--unpublished keyboard works | 30 |
| J.S. Bach's Complete organ works; a critico-practical ed. in eight volumes provided with prefaces containing general observations on the manner of performance & suggestion for the interpretation of compositions contained in each volume. Vol. 6. Miscellaneous compositions on the chorale, editing & prefaces: G. Schirmer, Inc., employer for hire of Albert Schweitzer & Edouard Nies-Berger part 4 | 30 |
| King Lear: text, sources, criticism. By G. B. Harrison, Robert F. McDonnell, David Levin (general editor) | 25 |
| Lesginka. From Gayne ballet. Music: Aram Khachaturian [i.e. Aram Khatchaturian], arr. for accordion: Anthony Galla-Rini | 30 |
| Les Mademoiselles de Rochefort, Concerto, Toujours jamais | 30 |
| Loneliness part 5 | 30 |
| Lord, Thou hast been our dwelling place; song. Music with acc. for piano or organ: Don Humphreys, words from the Bible | 30 |
| Love is a many-splendored thing. From Love is a many-splendored thing. w Paul Francis Webster, m Sammy Fain, arr. Twentieth Century Music Corporation, employer for hire of C. Paul Herfurth | 30 |
| Lullaby part 11 | 30 |
| Lullaby part 12 | 30 |
| Magic music machine a.ka. The Magic of music, Magic music, Voyage & 2 other titles | 28 |
| My love is gone to sea. From voice & piano. w & m Francis Hopkinson, arr. for voice & piano: Oliver Daniel | 30 |
| Not enough | 28 |
| Old soldiers never die. By Charles R. Campbell, lyric & arr. for SATB with piano acc.: Alan Campbell, pseud. of Merle Montgomery | 30 |
| Our first orchestra folio; original compositions and arrangements for classroom or concert. By Lorrain E. Watters | 27 |
| Pastorale part 2 | 28 |
| Perpetual motion. No. 6. From Suite III. By Carl Bohm, arr. for clarinet & piano: Merle Isaac part 2 | 30 |
| Piano concerto in G minor. First movement. Transcribed for piano & band. By Felix Mendelssohn [i.e. Felix Mendelssohn-Bartholdy], arranger: Clayton F. Summy Company, employer for hire of Robert Dahnert | 30 |
| Polish cookery. By Marja Ochorowicz-Monatowa, translator: Jean Karsavina, The Jumping frog of Calaveras County | 30 |
| Prelude part 8 | 30 |
| Proceedings of the American Academy of Arts and Letters and the National Institute of Arts and Letters. 2nd series, no. 1. Text: Douglas Moore, Virgil Thomson & Glenway Wescott | 30 |
| Quem vidistis, pastore? For 2 equal or 4 mixed voices & organ introducing melody of What child is this? m Camil VanHulse, musical setting and adaptations of composite English text: Joseph Gerald Phillips | 30 |
| Revival part 2 | 30 |
| Sing hosanna. Arr. Elinor F. Davies, pseud. of Frances Williams, w Lydia Ross, pseud. of Rhoda Newton | 27 |
| Sing, O sing this blessed morn. For mixed chorus & organ or piano. Musical setting: Eugene Butler | 30 |
| Six unaccompanied solos for snare drum. m & text: Michael Colgrass, The Tower, Deja vu | 24 |
| Somebody nobody loves. w Ronald Gustin Briggs, m Warren Leroy Fennell, changed w & m Ronald Gustin Briggs & Warren Leroy Fennell | 30 |
| Something's gonna have to change ; Just wanna be right there | 30 |
| Songs by Robert Hunter collection I, Hidden asset, Dog soldiers | 30 |
| Spiritual warfare ; Don't need that much ; Just let me love you ... et al, Collective works of Jack Butler & Paul Shaffer | 30 |
| Street king march folio. For band. m Walter Beeler, David Bennett, Thomas F. Darcy, Jr., G. E. Holmes, Earl D. Irons, Frank Simon, Harold L. Walters & Paul Yoder | 30 |
| Street king march folio. For band. m Walter Beeler, David Bennett, Thomas F. Darcy, Jr., G. E. Holmes, Earl D. Irons, Frank Simon, Harold L. Walters & Paul Yoder part 3 | 30 |
| Stretching, and other mind expanding activities for the inquisitive young pianist | 30 |
| Supervisor's management style and employee performance appraisal satisfaction in a public health agency | 30 |
| Sweet little Jesus boy. For mixed chorus a cappella with alto or baritone solo. Words & music by Robert MacGimsey, arr. by Guy C. Filkins | 30 |
| The Carrot talks (to the long string bean) For piano solo. Music: Olive Dungan, words: Gertrude Gore | 30 |
| The Children's friend. Vol. 58 (called v. 59), Apr. 1959. By Primary Association of the Church of Jesus Christ of Latter-Day Saints part 3 | 30 |
| The darkling thrush by Thomas Hardy; an essay. Captain Carpenter by John Crowe Ransom; an essay. By John Berryman | 30 |
| The Loyal Legionnaire. Words & music by Robert M. Crawford, The U.S. Air Force, Pipsqueak | 30 |
| The Princess of Persia. For B-flat clarinet and piano. Music by Henry Purcell, arr. John Edmunds | 30 |
| The Whistler and his dog. m Arthur Pryor, piano arr.: Edward B. Marks Music Corporation, employer for hire of Louis Gordon | 30 |
| Three Christmas carols for five voices. From Canciones y villanescas espirituales. By Francisco Guarrero, editing with alternative English underlay: Anthony G. Petti | 30 |
| Wedding cantata. Chorus of mixed voices (optional soprano and tenor soli) and piano (organ) or with 2 horns, celesta, strings. m Daniel Pinkham | 30 |
| You can lighten the load on your shoulder. w & m Marjorie Harper a.k.a. Jane Belmonte, w Fred Patrick | 30 |
| You try somebody else-Betty Boop, Betty co-ed, Down by the old mill stream | 30 |
This website is not affiliated with document authors or copyright owners. This page is provided for informational purposes only. Unintentional errors are possible. Multiple persons can share the same name.
