| International Music Company. documents |
| title | Number of documents |
|---|
| 25 sacred songs for voice and piano & 95 other titles, Sonata D major, Quintet in A major | 30 |
| 2 sonatas. For two trumpets and three trombones with piano or organ ad libitum. By Speer, editing: International Music Company, employer for hire of Keith Brown | 30 |
| Barber of Seville. By Rossini, arr., English libretto & supplementary text: Summy-Birchard Company, employer for hire of Harriet Nordholm & Frank B. Cookson | 30 |
| Capriccio on Russian themes & 1 other title; arrangements, Bullets, I'm on edge | 30 |
| Christmas in the Western world. Mixed chorus or quartet (SATB & piano) Narration & adaptation of text by Verna Arvey (Verna Arvey Still), m & arr. by William Grant Still | 30 |
| Concerto for bassoon and orchestra; adapted for string bass and piano. K. 191. By Wolfgang Amadeus Mozart, adaptation: Stuart Sankey, piano reduction: H. Kling & K. H. Fuessl | 25 |
| Deux pieces pour flute, harpe et cords, Piano album, Piano album of early American Music | 24 |
| Fantasy pieces; clarinet & piano, op. 73. By Robert Schumann, editorial revision: Alois Heine | 27 |
| Five pieces in folk style. Op. 102. For cello & piano. By Schumann [i.e. Robert Schumann], editing of piano part: Isidor Philipp, editing of cello part: Charles Davidoff part 2 | 30 |
| Harmonious blacksmith; air & variations from the suite no. 5. For cello solo. By Handel [i.e. George Frederick Handel], transcription for cello solo: International Music Company, employer for hire of Gaspar Cassado | 30 |
| Nocturne part 6 | 30 |
| No secrets ; Inertia ; Creeper kamikaze ; Calm and collapsed, Fernando, Crucifixation [sic] songbook | 30 |
| Our Father. For 5 (9)-part chorus (SATB), ad lib. tenor solo & keyboard acc. By Heinrich Schuetz & Broude Brothers (of which Broude Brothers, Ltd. is the legal successor), employer for hire of Kurt Stone (English text, introd. & editorial revisions) & Julius Elias (English text) | 30 |
| Passacaglia symphony & 1 other title, Passacaglia | 30 |
| Prelude a l'apres-midi d'un faune = Prelude to the afternoon of a faun, Sonata 1 other title | 30 |
| Romance part 6 | 30 |
| Sonata in E minor. For bassoon and piano. By Vivaldi [i.e. Antonio Vivaldi], transcription and editing: Arthur Weisberg, revision and realization of the figured bass: Luigi Dallapiccola part 2 | 27 |
| Sonata in sol minore. Per violino con accompagnamento di pianoforte. By P. Locatelli [i.e. Pietro Locatelli], revision: Mario Corti | 29 |
| Sonata no. 2 en mi mayor. Transcripcion para guitarra. m Antonio Soler, arr. Venancio Garcia Velasco | 30 |
| Sonata number 4 for cello and piano. By Marcello [i.e. Bendetto Marcello], transcription: International Music Company, employer for hire of Gaspar Cassado | 30 |
| Songs of the Gilded Age. No. 9408. Art, text & song arrangements: Golden Press, Inc., employees for hire: Margaret Bradford Boni, Norman Lloyd, Lucille Corcos, William Howard Schuman part 2 | 30 |
| Stories & tales. By Stephen Crane, rearrangement, additions and revisions of the editorial matter: Robert Wooster Stallman | 28 |
| The pleasure of the text. By Roland Barthes. Translation: Richard Miller, note on the text: Richard Howard, employees for hire of Farrar, Straus and Giroux, Inc | 30 |
| Two andantes and adagio 'pour le Cor Anglais'. m Anton Reicha, editing: Frans Vester | 30 |
| When honeymoon lane becomes memory lane & 1 other title, Prelude and allegro. m Edward W. Volz | 30 |
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