Leeds Music Corporation. documents |
title | Number of documents |
9 program solos. For trombone with piano acc. Selection, arr. & editing: Gregory Castleton, pseud. of George Rochberg part 2 | 30 |
A Brief history of early Methodist societies & meeting houses in the Broad River Valley of Georgia | 30 |
Ah! Camminare. From the musical, Bravo Giovanni. Arr. for encore band: Giovanni Music, Inc., & Mayfair Music Corporation, employers for hire of John Cacavas | 30 |
Ah! spietato!. From the opera Amadigi. For voice and piano (high) By George Frederick Handel, editing and English translation by International Music Company, employer for hire of Sergius Kagen (editing) & Waldo Lyman (translation) | 30 |
A little more soul. w & m Ray Whitley, J. Pope, Charles Pope, Robert Smith, Horace Key, Bobby Langford | 30 |
American eagle & 150 other titles | 29 |
Anema e core. From folio New accordion. English w Mann Curtis & Harry Akst, m Tito Manlio, arr. for accordion: Charles Camilleri | 30 |
A New kind of love. From the motion picture, A New kind of love. w & m Famous Music Corporation, employer for hire of Sammy Fain, Irving Kahal & Pierre Norman, arr. for orchestra: Famous-Chappell, Ltd., employer for hire of Cliff King | 30 |
As long as you love me. Performed by Mickey Thomas; sound recording by MCA Records, Inc | 30 |
At the cafe rendezvous & 10 other titles; compositions, Who calls? By Dedette Lee Hill | 26 |
Autumn blue & 33 other titles, Autumn blue, Peacefully | 30 |
Baby, come home (baby, please) By Lloyd Price | 30 |
Barbie, Midge, and Ken. By Cynthia Lawrence (text), Betty Lou Maybee (text), and Robert Patterson (ill.) | 30 |
Big Jon and Sparkie song folio; ten original songs suitable for children and grown-ups. Words & music: Jon Arthur, Billy Collins, Jay Dennis & Claude Reese | 25 |
Black Beauty & 38 other titles; motion pictures & television programs part 2 | 30 |
By His word. w & m Wishart Campbell & Walt Huntley, arr. for piano: Leeds Music Corporation | 30 |
By love possessed & 21 other titles | 30 |
Cheer boys, cheer girls; traditional folk song. New w & new m adapation: Massie Patterson & Sammy Heyward (editors) | 30 |
Christmas is coming; a festive cantata, the customs, traditions & story of Christmas in narration & song. For mixed chorus, narrator with piano & optional instrumental acc. w Dorothy DeFerranti, m Elie Siegmeister & Rufus Wheeler | 30 |
Christmas songs the world over. Arr. for individual or group singing: Remick Music Corporation, employer for hire of John Cacavas part 2 | 30 |
Clippety clop. From the musical production The Greatest show on earth. w & m John Ringling North & Tony Velona | 30 |
Concerto for two pianos in E-flat major, K. 365. Concerto for three pianos in F major, K. 242. Artist: Daniel Barenboim & Vladimir Ashkenazy with Fou Ts'ong & the English CHamber Orchestra, sound recording: the Decca Record Company, Ltd | 30 |
Concerto for violin and orchestra. Reduction for violin & piano: Leroy J. Robertson | 30 |
Connie. Artist: Connie Francis, sound recording: MGM Records, Inc, Connie Francis & 2 other titles | 30 |
Desire part 7 | 30 |
Doin' the best we can (rag) w Les Emmerson (Robert Leslie Emmerson), m Ted Gerow | 27 |
Don't say there's nothing to do in the doldrums. w & m Metro-Goldwyn-Mayer, Inc., as employer for hire of Paul Vance (w) & Lee Pockriss (m) | 30 |
Enrique, Ricky and Mickey & 1 other title. Written and composed by Mike Himelstein | 30 |
Everybody loves my baby (but my baby don't love nobody but me) w & m Jack Palmer & Spencer Williams, arr. for young stage band: Glenn Osser part 2 | 30 |
Eye of the storm & 2 other titles part 3 | 30 |
Fall into somebody's arms. From Courtin' time. Words & music: Jack Lawrence & Donald John Walker | 30 |
Fear and loathing in Las Vegas; a savage journey to the heart of the American dream | 30 |
Festival march. From La Boheme. For band. By Giacomo Puccini, adaptation: Alfredo Antonini, scoring for orchestra: Sam Fox Publishing Company, Inc., employer for hire of John Cacavas | 30 |
Grand theft hotel & 188 other titles; backgroudn music for photoplays, Hard copy | 30 |
Harvest home. No. 1476. By Grandma Moses (Anna Mary Robertson Moses) | 28 |
Hello, my love; song. m Gerry Wilson, pseud. of George French, w Marion Rogers, pseud. of Marion French | 29 |
How was I to know you cared? By Gary L. Anderson a.k.a. Gary U. S. Bonds, & Jerry Williams, Jr part 2 | 30 |
I didn't know she was leavin' ('til she was already gone) By David Wills, Gordon Eatherly & Bob Moulds | 30 |
I done it. Words & music: Moon Mullican (Aubrey Wilson Mullican), Henry Bernard Glover, Sydney Nathan a.k.a. Lois Mann, & Louis Innis | 30 |
I'll always be your fraulein. m Lawton Williams, w Wally Jarvis & Roy Botkin, Farewell party. m Bob Gibson, w Robert B. Connelly | 30 |
Il Pleut dans mon coeur. English w & m Vaughn Horton, French w Jean Eigel (Julien Bruyninx) (Julien Douville) & Rolf Marbot (Albert Marcuse) | 30 |
I'm all alone. w & m Kenneth Ballard, Moses Pelham & Lawrence Lucie | 29 |
I'm gonna hang up mommy's stocking instead of mine on Christmas night. Words: Nick Kenny & Charles Kenny, music: J. Fred Coots | 30 |
I'm gonna rock ('til my rocker breaks down) Words & music: Johnny Gomez, pseud. of Benny Carter & Paul Vance, pseud. of Paul Vandervoort 2d | 30 |
I'm in love again & 9 other titles | 30 |
I'm so in love with you. w & m Meridian Music Corporation, employer for hire of Bobby Stevenson | 30 |
I must be out of my mind to let you out of my arms. Words & music: Virginia Walsh | 30 |
In a shanty in old Shanty Town. w Joseph Young, m Little Jack Little, pseud. of Jack Little, & John Siras, pseud. of Ira Schuster, arr. for SATB: M. Witmark & Sons, employer for hire of Gordon Jenkins, Jr | 30 |
(I never missed your sweet hello) until we said goodbye. m Johann Strauss, m arr. & w Harry Akst, Benny Davis & Milton Ager | 30 |
In spite of everything you do. Words & music: Richard Gordon, pseud. of Ben Gordon, Dorothy L. Johns, pseud. of Billy Faber, & Jack Edwoods, pseud. of Jack Edwards | 30 |
[Instrumental suite from the flute and voice of Libbie Joe], Love is so revealing | 30 |
I only had fifty cents. Words by John Doe, pseud. of Hughie Prince, words & music: Larry Townsend (Clarence George Townsend) & Johnny Smith | 30 |
Isaie le prophete; musical composition. Oratorio symphonique pour choeur mixte et orchestre/reduction pour choeur et piano. m Alexandre Tansman, English translation: Thomas Martin Lindsay | 30 |
Isn't it a shame? EU92423 (1934) Termination effective 24Aug90, Pretenders, Face in your crowd | 26 |
It's been said. w & m Nellie Lutcher, arr. for voice and piano with guitar symbols: staff of Leeds Music Corporation | 25 |
I've been a long time leaving (but I'll be a long time gone) w & m Roger Miller part 2 | 30 |
I've got what you need, Friends | 30 |
I want to know how it feels (when it feels so good) By McKinley Horton & Mike Forte part 2 | 30 |
Leonard Feather's encyclopedia of jazz in the '70s. Compilation by RCA Records, You'll always be mine | 27 |
Little bird; play party game. For S.S.A. with piano (4 hands) or orchestra. Adaptation & arr. Henry Crawford Campbell, editing & piano transcription: Shawnee Press, Inc., employer for hire of Lara Hoggard | 30 |
Long road home. (Friday the 13th (the series)) PA 500-876 | 30 |
Love is not enough. Recorded by Nine Inch Nails. PAu 2-883-356 | 30 |
Love means never having to say you're sorry. From the Paramount Picture Love story. m Paramount Pictures Corporation, employer for hire of Francis Lai, added w Norman Simon & Lowell Mark | 30 |
Love me tender and other Elvis love songs | 30 |
Love theme from A Thunder of drums. From A Thunder of drums. m Metro-Goldwyn-Mayer, Inc., & Robert J. Enders, Inc., employers for hire of Harry Sukman | 30 |
Madeira. Music: Maximiano DeSousa, lyric: Ray Gilbert, pseud., arr. Ardmore Music Corporation, employer for hire of Johnny Warrington | 30 |
Makin' whoopee! From the Broadway musical, Whoopee! w Gus Kahn, m Walter Donaldson, arr. Bregman, Vocco & Conn, Inc., employer for hire of Jimmy Mundy | 30 |
Mi adir; processional for the groom. From Songs and processionals for a Jewish wedding. For mixed voices S.A.T.B. with piano or organ acc. By Mario Castelnuovo-Tedesco | 30 |
Mickey the Chickey. Words & music: Will Lenay, pseud. of Will Lene, & Kenny Roberts, pseud. of George Kingsbury, Jr | 30 |
Mister Bag-o-Bones. w Lincoln Chase, m Walt Disney Productions, as employer for hire of George Bruns | 30 |
Morning desire & 140 other titles, Believing in my love (ain't that easy), Saviour of my natural life | 30 |
Murder is a parlor game, Word games, A puzzle for prophets | 29 |
Mush, mush, mush, tural-I-addy. New words: Sean O'Casey, pseud. & Dennis O'Casey, pseud. of Irving Taylor, arr. & music: Sean O'Casey, pseud. & Dennis O'Casey, pseud. of Arthur Altman part 2 | 30 |
My little baby girl ; I'll love you forever ; Tell me you love me ... [et al.], Chaz's first compilation | 30 |
My sweet old etcetera. Baritone & piano. Text: Edward Estlin Cummings, m Robert Starer, arr. for piano: Leeds Music Corporation | 30 |
No titles given for G T E Directories Corporation's system book cover designs & 4 logo variations for G T E neighborhood telephone directories, VAu 77-049--VAu 77-053 | 30 |
Now I lay me down to sleep. Words & music: Wishart Campbell & Walt Huntley part 2 | 30 |
Now is the hour (Maori farewell song); for mixed chorus (SATB) with piano & optional amplified guitar, bass guitar & percussion. w & m Maewa Kaihan, Clement Scott, Dorothy Stewart, arr. Anita Kerr part 2 | 30 |
Nuttin' for Christmas. Words & music by Sid Tepper & Roy C. Bennett, special lyrics by Henry Doyle Haynes a.k.a. Homer & Kenneth C. Burns a.k.a. Jethro | 30 |
Off the record & 2 other titles, Love, on instant replay, The valley strangler | 30 |
Once-upon-a-time story book. Text: Rose Dobbs, ill.: Random House, Inc., employer for hire of C. Walter Hodges | 27 |
On Christmas Eve at midnight. French folk song for mixed voices and piano. m arr. Willson Osborne | 26 |
One flower grows alone in your garden. Music by Sigmund Romberg, words by Otto Harbach & Oscar Hammerstein [i.e. Oscar Hammerstein 2d], adaptation & arr. for S.S.A. with solos for two sopranos: Harms, Inc., employer for hire of Douglas MacLean | 30 |
Only yesterday & 14 other titles | 30 |
Oooo gosh, how I love goulash. w Ray Sterling (Raymond Andrew Sterling) & Art Terker (Arthur Terker), m J. Russel Robinson | 30 |
Our day will come & 2 other titles | 27 |
Overtaken by events, the Dominican crisis from the fall of Trujillo to the civil war. By John Bartlow Martin | 30 |
Parent's day; television series. By Screen Gems, Inc, Guns of October, Hoover and the bomb | 30 |
Peaceful valley. w & m Willard Robison, arr. for soprano, alto, tenor & bass voices: Charles Naylor | 25 |
Polovetsian dances. From Prince Igor. For two pianos, four hands. Music: Alexander Borodin., transcription for two pianos, four hands: Victor Babin | 27 |
Problems in the theory of price. By Clark Lee Allen, Aurelius Morgner & Robert H. Strotz | 28 |
Ridin' into heaven on a one horse wagon. w & m Edward Pietzsch Womack, Will E. Dulmage & Al Lewis | 30 |
Road to Avonlea, ser. III: High society, Eleanor, Eve 1968 | 28 |
Rock, roll, ball, and wail. Words & music: Red Burns, pseud. of Dave Dexter, Jr. & Hank Lentz, pseud. of David D. Cavanaugh | 26 |
Round and rounder. w & m Ernie Sheldon part 2 | 30 |
She don't have a license to drive me up the wall. By Milton L. Brown & Steven H. Dorff | 30 |
Show me (that you love me) w & m Al Hoffman, Clem Watts, pseud. for Al Trace, & Bob Harvey, pseud. for Eddie Ballantine | 30 |
Solo. Words: Leon (pseud. of Rafael DeLeon Arias DeSaavedra) & Quintero (pseud. of Antonio Quintero Ramirez), music: Quiroga (pseud. of Manuel Lopez Quiroga) | 30 |
Somebody else is knockin' (on my door) By Denny Laine & Mike Pinder part 5 | 30 |
Song to the witch of the Cloisters. For voice and piano. w William Hoffman; m John Corigliano part 2 | 25 |
String quartet number 9. For 2 violins, viola & cello. m H. Villa-Lobos part 2 | 30 |
Swingin' down the lane. w Gus Kahn, m Isham Jones, arr. Leo Feist, Inc., employer for hire of Johnny Warrington | 30 |
Switch I can't turn off & 27 other titles. Written by Richie Jones & co-writers as noted. Assignment of copyright and exclusive administration rights | 30 |
Take care (that nothin' happens at all) Words & music by Una Mae Carlisle & Ned Brent, pseud. of Barney Young (Barnard A. Young) | 30 |
Take this heart & 1 other title | 30 |
Tambourin champetre; Noel XVIII siecle. Arr. pour choeur a 4 voix mixtes (avec acc. d'orgue ad. lib), poeme de Fleuret d'Hericourt, musique de Francois DeBoisvallee, pseud. of Pierre Duclos, harmonisation: Paul Bonneau part 2 | 30 |
Tell me you're mine with a kiss. Italian w George Cardini, English w & m Danny DiMinno & Bee Walker | 30 |
That's how it feels. From album Soundtrack--Another day in paradise, True colors | 30 |
The American Heritage electronic dictionary release 1.0 user's guide including writer user's guide part 3 | 30 |
The Answer is God; the inspiring personal story of Dale Evans and Roy Rogers. By Elise Miller Davis part 2 | 30 |
The Best way to hold a girl is in your arms. The Best way to hold a man is in you arms. w Gladys Constance Shelley, m Harry Jacobson | 30 |
The Breeze (that's bringin' my honey back to me) Words & music: Tony Sacco, Dick Smith & Al Lewis, arr. for orchestra & vocal background: Eddie Wilcox | 30 |
The Chinese gold murders; a Chinese detective story. By Robert VanGulick, with ten plates drawn by the author in Chinese style | 30 |
The Christmas bells are ringing on Christmas morn. Words & music: Joseph W. Burns | 30 |
The Good old days of burlesque. From Strip for action. w Harold Adamson, m Jimmy McHugh (James Francis McHugh) part 2 | 30 |
The Horizontal lieutenant. From The Horizontal lieutenant. w & m Metro-Goldwyn-Mayer, Inc., employer for hire of George Stoll, Stella Unger & Joe Pasternak | 30 |
The Islanders. By Roland Pertwee, ill.: Ernest H. Shepard | 23 |
The Lambs to the Lamb; Christmas. For chorus of treble voices with piano or organ. Poem by Martha Nicholoson Kemp, music: Paul Creston | 30 |
Theme from the Universal TV series, The Rockford files. m Mike Post & Pete Carpenter, band arr. John Cacavas | 30 |
The Merry-go-runaround. From the picture Road to Bali. Words by Johnny Burke (John F. Burke), music by James VanHeusen | 30 |
There is still a lot of steam in Kilauea. w Gerda, pseud. of Gerda Maline Beilenson, m Samuel K. Kaapuni, arr. Keyboard, Inc | 30 |
The River Seine. SATB. m Guy Lafarge Eng, w Allan Roberts & Alan Holt, pseud. of David Kapp, SATB arr.: Remick Music Corporation, employer for hire of Gordon Jenkins, Jr | 30 |
The show must go on. On the way back home. Sound recording: ABC Records, Inc., artist: Three Dog Night | 30 |
The Strangers from the horizon, Here I am king | 30 |
This summer. w & m Russell Faith & Clarence Way Kehner, arr. for voice and piano with guitar symbols: staff of Pickwick Music Corporation | 30 |
Those mother pickers from Nashville, Tennessee. w & m Paul J. Vance & Robert Mersey | 30 |
Three children singing under lamp post. By Free Lance Photographers Guild, author of renewable matter: Brown & Bigelow | 29 |
To Chloris. S.A.T.B. Text: Horace (book 3, ode 15), English translation: Franklin P. Adams [i.e. Franklin Pierce Adams], music: Arthur Norris | 29 |
To music. Symphony for mixed chorus, tenor solo, bass-baritone solo and orchestra. m David Diamond, text: John Masefield part 2 | 30 |
Traveling down a lonely road; love theme. From the film La Strada. English words: Don Raye, original Italian version: M. Galdieri & N. Rota, arr. staff of Leeds Music Corporation | 30 |
Treat me gently, baby & 1 other title, You make it easier, Roll over | 30 |
Triptych--Jesus Christ is risen today. Op. 100, no. 3b. For mixed chorus & piano acc. (with a second piano or harp or celesta & tam tam ad lib) m & adaptation of traditional w Alan Hovhaness | 30 |
Two hearts under one umbrella. Words: Freddy King (Frederick Arden King), words & music: Russell H. Faith | 30 |
Valley of the bear; a novel of the North Plains Sioux. By Clay Fisher (Henry Wilson Allen), illustrated by Eric VonSchmidt | 30 |
Way back home. Words & music: Rose Marie McCoy, Mabel Smith & Leroy Kirkland | 30 |
When a plowboy starts to pitching woo instead of pitching hay. Words & music: Ray Whitley & Billy Eugene Harbert part 2 | 30 |
When you look at me. English w Don Raye & Gene DePaul, m A. Giordano, special Italian w & arr. for piano: staff of Pickwick Music Corporation | 30 |
Whispering hope & 3 other titles composed for the photoplay, The Crime, chapter 9 of the television series, Centennial part 3 | 30 |
Who do you think you're fooling with that million dollar talk? E422744 (1918) Termination effective 3Jan80 part 2 | 30 |
Who speaks for the children? (Quincy, ME) PA 106-793 (1981), Semper-fidelis, Promises to keep | 30 |
Why did you leave me? Words & music by Helen Louise Perdue (Helen Louise Perdue Southern) | 30 |
Without your love (Mister Jordan) By Paul Vance & Perry Cone part 2 | 30 |
Would you? From film Happy go lovely. Words: Jack Fishman, music: Mischa Spoliansky | 30 |
Yellow rose of Texas. Adaptation & m arr. Fresco Music, Inc., as employer for hire of Arthur Ferrante and Louis Teicher | 30 |
You made me love you & 21 other titles; notice of termination of grant under 17 U. S. C. sec. 304; termination effective 1Jan78 (re James V. Monaco, deceased) part 2 | 30 |
You never know when you'll need a friend. Words & music: Billy Hayes, Rea Symon, pseud. of Rea Hayes, & Charles Guy Campbell | 30 |
You're the cause of it all. Words: Ray Martin a.k.a. Ray Collins, pseud. of Norman Newell, music: Guy Leslie a.k.a. Leslie Collins, pseud. of Leslie Cooper | 30 |
Zambezi; South African song. English words: Dick Rogers, music: Nico Carstens (Nicolaas Cornelius Carstens) & Anton DeWaal, pseud. of George Charles Cunn | 30 |
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