| Max Eschig, Editions documents |
| title | Number of documents |
|---|
| 3 comptimes; textes francais, castillan, et catalan dans melodies pour piano et chant. Musique & paroles: Frederic Mompou | 28 |
| 3 duos for piano and E-flat alto saxophone, Scherzo | 30 |
| An Italian straw hat; a comedy with songs in five acts. By Eugene Labiche [i.e. Eugene Marin Labiche] and Marc-Michel, English version by Lynn Hoffman and Theodore Hoffman | 27 |
| Atlantida. Cantata scenica in 1 prologo e 3 parti sul poema Catalan di Jacinto Verdaguer, addatto da Manuel DeFalla, opera completata de Ernesto Halffter, Italian translation & piano reduction: Ernesto Halffter & Eugenio Montale | 30 |
| Between the trees and me. By George S. Geisinger, Preludes, The forest prince | 30 |
| Ca ira; chanson revolutionnaire. Pour contralto solo, choeur mixte & piano, sur un theme populaire francais. Musique de Jean Francaix, pseud. of Jean Francais, paroles de Sacha Guitry | 30 |
| C'est ca les visiteurs du mercredi, Les Saisons, Les Saisons waltz | 26 |
| Chanson du gangster. From the ballet Cine bijou, by J. P. Gredy. Pour ballet. Musique de Roland Petit & Pierre Petit | 27 |
| Come here for your fruit pulp. From Three traditional Cuban songs. For SATB chorus acappella. m Joaquin Nin-Culmell | 26 |
| Comme ca. Music by V. Marceau, French words by Jacques Larue, English words: Mitchell Parish | 30 |
| Concerto | 30 |
| Concerto in re maggiore. Tomo 513, F. 1, n. 234 (PR1188) Per violino, archi e cembalo. By Antonio Vivaldi, editing, revision & development of the figured bass: Gian Francesco Malipiero | 30 |
| Cours complet de solfege. Vol. 4: 31 lecons sur 2 portees en cles de sol & de fa (a l'usage de la transposition) Sans accompagnement de piano. De Ettore Pozzoli, revu par Yvonne Desportes | 27 |
| Dans la saison qu'Adonis fut blesse. No. 1 from D'ombre et de soleil. Musique de Louis Beydts, paroles de P. J. Toulet | 21 |
| Die Heimkehr; opera in one act. Op. 70. Libretto after DeMaupassant by Karl Heinrich Ruppel, music & vocal score arr. Marcel Mihalovici | 30 |
| Drei Ricercare ueber das Thema des Musikalischen Opfers von Johann Sebastian Bach part 3 | 30 |
| Duivendrecht (farmhouse on the Gein) Watercolor/paper, Sonate =, Coronacion = | 30 |
| Feu Monsieur DeMarcy; piece en 2 actes et 6 tableaux. By Max Regnier & Raymond Vincy | 25 |
| Improvisation sur Mallarme. Pour soprano, harpe, vibraphone, clocks et 4 percussions. m Pierre Boulez, w Stephane Mallarme | 30 |
| La Flute enchantee. From Sheherazade. For voice and piano. By Maurice Ravel, English translation of w Winifred Radford, original poem of same title by Tristan Klingsor in French | 29 |
| Lullaby. From the musical drama The Consul. For voice & piano. w & m Gian Carlo Menotti, piano reduction by G. Schirmer, Inc., employer for hire of Thomas Schippers part 2 | 30 |
| Mon petit bonhomme de chemin. Piano et chant. Musique de Louis Gaste, paroles de Andre Hornez | 30 |
| Mortifie nous par ta bonte; choral. Extrait de la Cantate number 22. Musique de Jean-Sebastien Bach [i.e. Johann Sebastian Bach], transcription pour orgue par Maurice Durufle | 30 |
| Never had a love like this before. By Irving Music, Inc. & Medad Music, employers for hire of Len Ron Hanks & Zane Grey | 30 |
| Notice of intent to enforce a copyright restored under the Uruguay Round Agreements Act part 42 | 30 |
| Notice of intent to enforce a copyright restored under the Uruguay Round Agreements Act part 7 | 30 |
| Notice of intent to enforce a copyright restored under the Uruguay Round Agreements Act part 8 | 30 |
| Quatre melodies judeo-espagnoles. Pour chant et piano (ou harpe) Musique et paroles francaises de Leon Algazi | 30 |
| Recueil. Vols. 1-2. Oeuvres pour flute et piano presentees par Fernand Oubradous. By Louis Aubert, Paul Arma, Arthur Honegger, Louis Beyts, Claude Pascal, Henri Tomasi, Pierre Wissmer, Andre Jolivet & Amable Massis | 30 |
| Serenade for strings (themes from the first movement), Valse des fleurs, Great performances | 30 |
| Sevillanas del clavel. w A. Sanchis a.k.a. Antonio Sanchis Molla, m E. Cofiner a.k.a. Enrique Escude-Cofiner Grauges, arr. M. Salina, pseud. of Manuel G. Salinger Ehrenfried | 30 |
| Sixty sonatas. Vol. 2. By D. Scarlatti [i.e. Domenico Scarlatti], edited in chronological order from the manuscript & earliest printed sources with a pref. by Ralph Kirkpatrick | 30 |
| The Black Hills of South Dakota, geological gem of the West, Pescatore che va cantando = | 30 |
| The Vital wheel--metabolism; an introd. to some biological chemistry. By Wesleyan University, employer for hire of Rudolph E. Haffner and Jeffrey Baker | 30 |
| Tientos del septimo y octavo tomo. Ricercare du Septieme et Huitieme ton pour guitare. Arrangement pour guitare: Emilio Pujol part 2 | 30 |
| Trois chauts de contemplation; pour contralto, basse avec accompagnement de quatuor de flute a bec. m & paroles French: Henri Sauguet | 29 |
| Twelve etudes for guitar, in 2 volumes. m Francisco Mignone, As Peripecias do trapeirozinho | 25 |
| Une Cantate de Noel. Pour baryton solo, voix d'enfants, choeur mixte, orgue et orchestre. Musique de Arthur Honegger, traduction textes liturgigues et populaires: Rollo Myers & Fred Goldbeck (Frederic Goldbeck) | 27 |
| Valses poeticos; para guitarra. m Enrique Grandos Campina, arr. for guitar: Rafael Balaguer Ferrer | 30 |
| Walt Disney's Cinderella color by number. No. 4779. By Walt Disney Productions | 30 |
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