| Mike Curb Music documents |
| title | Number of documents |
|---|
| A computable general equilibrium model for the individual life insurance business in the United States | 30 |
| All I know is you move me. Co-writer, Gordie Sampson, The Jersey Devil, Alien feelings | 30 |
| All that I am (somethin' for the people), Devoted love, Here for me | 29 |
| Barkeeper (keep her off my mind) Co-author: Carrol Dunham, You carried me through | 27 |
| Beautiful regret ; Fighting for love ; Good day to die ... [et al.], Gypsy blue tattoo | 30 |
| Blindstreets ; Sherry (we're gonna walk out of here) ; Eden way ... [et al.], Nevada City | 24 |
| Brought up in N. Y. (brought down in L. A.) By D. McCormick & P. Anka, Tear in your eye | 30 |
| California (you've been smilin' on me), My own man, Where is the justice? | 28 |
| Carol of the Bressian waits; unison songs. Arr. and translation: Arthur P. Schmidt Company, Inc., employer for hire of Robert English | 30 |
| Clyde of Africa. By Ken Heyman & Michael Mason, When a woman's in love, Featherplane | 30 |
| Cold kisses. Co-composers, Chuck Jones & Sharon Vaughn, Cold kisses, I hope the whiskey keeps you warm | 27 |
| Collection of two songs for upcoming album, Lust and love, Lovin' a memorie [sic] | 30 |
| Contingent suppression of tolerance to the "anorexigenic" effect of .., Chumash, 5 songs by Gaylen Thompson | 30 |
| Dance to the music of your dreams, The tickle song, Dance to your daddy | 29 |
| David Schmidt song collection no. 5, Just can't live without you, Don't mess with the Lord | 30 |
| De Eerste zondag. Words: Pi Veriss, pseud. of Pieter Visser, music: Leslie Davis, pseud. of Samuel Orgelist | 30 |
| Destination Branson, & 3 other selections, Destination | 30 |
| Factors related to college-bound students' interest in teaching as .., Wasting your time (She wants to dance) By Kurt Howell & Doug Crider | 30 |
| Goodbye, Gotham City, Talk to me | 30 |
| Granny's always been this way, Colorblind, A Song for Lindsey | 28 |
| Hands across the ocean, hearts in harmony, Going away, Mar-Cole Music Centers jingle | 30 |
| Heartbreak Hotel (Scotty Moore) ; Heartbreak Hotel (James Burton), If I live to be a hundred (I'll die young) | 30 |
| How do you like it so far? Co-writers, Robbie S. Nevil, Brooke McClymont & Martin Kierszenbaum | 30 |
| How to get started in the Nashville music industry, Swinging for the fence, Eyes | 30 |
| I just wanna have you. By Richard W. Fagan, 1945-, Kacey Jones, 1950, Mom's survival guide | 30 |
| I'm not that drunk yet, & 1 other selection, About California, & 1 other selection | 30 |
| I spent much time, & other selections, Voodoo lover, Kids own the streets | 30 |
| It ain't likely ('cause it ain't like me) Co-writer: Tia Sillers, Red River runaround | 29 |
| Let's start over and spark the magic that lights my heart, Name game, Shoes | 29 |
| Love, love, love, love, love (is all you want) | 30 |
| Love rhapsody from "The Concorde--Airport '79" ; Theme from "The Concorde--Airport '79" | 30 |
| On the water and in the woods, & 2 other songs, Red rose blue, When your [sic] in love | 30 |
| Paige Logan songs with Tambi Rose Matich and James Scott Reilley, Wasted wishes, Won't let you make a fool of me | 26 |
| Personal touch, & 2 other selections, Up for parole, Ready for anything | 30 |
| Raise up your glass ; The mountain always wins ; Forever true, Someday | 30 |
| Running out of time. By Orville R. Bratcher part 2 | 30 |
| Sea of love. w & m Phillip Baptiste & George A. Khoury, Sea of love, A taste of the wine | 30 |
| Southern style ; Only Jesus knows ; Walking, but not alone ... [et al.] | 30 |
| Studies on adenovirus type 2 DNA and RNA coding for the precursor to the major core . | 30 |
| Teenage boyfriends ; Wrong man ; Baby, hold on, I got my eye on you, All fired up | 30 |
| The Avisson book of contests and prize competitions for fiction writers, Radio wasteland | 30 |
| The Bigger the love, the harder the fall, Lightning never strikes twice, Hands of a heartbreaker | 30 |
| The Continuing story of the Bradleys in D. C, Mississippi mud, Callin' your name | 30 |
| The eagle's eye; a screenplay, Boundaries, Lake Michigan collection | 28 |
| The extent of knowledge of school superintendents, principals, teachers, school board members, and news media personnel reported in the use of school finance terms | 30 |
| The gift part 11 | 30 |
| The hanging. w & m Paul Gibson & Ray Stinnett, Tales from the Lower East Side, Time tourists | 30 |
| The Sound track music from Clint Eastwood's Every which way but loose, If only | 30 |
| They don't choose to live that way, Broke down south of Dallas, Moan all night long | 30 |
| Together part 37 | 30 |
| To rob the bank of love tonight, & 1 other selection, Compromise, Stumble and fall | 30 |
| Waiting for you. w & m Tracey C. Amos, 1965 | 30 |
| Wavin' my heart goodbye ; Down in the light of the melon moon ; Right where I belong ... [et al.] part 2 | 30 |
| Well, the first thing we've got to remember is not to panic!, Falling for me, Collective works of Spencer Gorin | 30 |
| When I get where I am going, I want you | 30 |
| When I look at you (the wedding song) | 30 |
| Where the sun meets the morning. By Ann Ballard, 1935-. (In So fine), One by one | 30 |
| Who's that lady with that cheater? By Mike Jones & Mickey Reed, Who I used to be | 30 |
| Yellow rose. Music: Russell Frederick Pedersen, words: Aline Scott Buchanan, Yellow rose | 29 |
| You didn't have to got that far. Co-composer, Clint Daniels, The people's doctor | 30 |
| You don't want to dance with me anymore, Karla Taylor collection III, Sometimes (love is like a *Removed*) | 27 |
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