| National Film Board of Canada documents |
| title | Number of documents |
|---|
| A book of poems for saints, aints, and friends, Walker, The collective work of Marco D. Williams 2 | 30 |
| Abortion stories from north and south, De dix a douze ans, The Forest tent caterpillar | 30 |
| And we shall be changed, Mr. Nobody, Cafe Romeo | 29 |
| An Examination of teaching competencies derived from models of teaching and their . | 26 |
| An illustrated catalogue of early North American advertising notes (ads that look like paper money) | 30 |
| Apache wedding song ; Trust in the Lord, Waiting for the sunshine, Pocket desert | 25 |
| Aspara and all the children of the world, Black sugar, The sun and the night | 30 |
| A Study of policies for part-time instruction in the community college, Get more out of life (go to a movie tonight) | 30 |
| A Study on the importance of a study skills program at Southern Connecticut State University | 30 |
| Automatic construction of algorithms and data structures using a knowledge base of programming . | 30 |
| A Young people's pictorial history of the church. Vol. 1: the early Christians. By Edward Rice, textual adaptations: Blance Jennings Thompson | 27 |
| Baby, come on and dance with me, The Game is up, Did-cha come here to party? | 30 |
| Behind the veil. By Tony Hymas. (In Jeff Beck's guitar shop), Pray for me, Jesus | 30 |
| Best of the best: the search for America's hidden musical group talent | 30 |
| Caught in the crossfire: the R. E. Payne story, Destiny, Heavenbound, I believe I've fallen (for you) | 30 |
| Changing tides. SR 21-043 (1980), Sharp left turn, Beat 'em to the punch | 30 |
| Children of war becoming leaders for peace, What people are calling PMS, David | 30 |
| City of gold--code of the scribe = Ciudad de oro--codigo del escribano, Jesus, pilot me | 30 |
| Dinner for two (heartbreak for one) By Mark Sameth & Dickey Lee, The Woman who walked with a list | 30 |
| Divorce, marital discord, depression, attachment style, and the motivation to parent in mature, single women and men | 30 |
| [Duke of Gloucester Street, Williamsburg], [Fells Point (Baltimore harbor scene)] | 30 |
| Effects of verb inflection ending acquisition on academically failing children's literal . | 30 |
| Empire State Building with moon in upper left at sunset with golden glow on surrounding skyline | 30 |
| Enterprising engines. By W. Awdry, ill.: Gunvor Edwards & Peter Edwards, The meaning | 25 |
| Entre le rouge et le bleu = Between red and blue, Protecting our planet, Alive in the nuclear age | 30 |
| Evaluations of neuropeptide secretion and thermal hyperalgesia evoked by the activation of excitatory amino acid receptors in peripheral tissue | 30 |
| Family grandstand. Text by Carol Ryrie Brink, ill. by Jean Macdonald Porter, Caddie Woodlawn | 27 |
| Finger fashions for piano; popular piano versions of 12 famous themes, featuring 2-hand melody playing. By Stanford Francis King part 2 | 30 |
| Good 4 nuttin' (sluttin' *Removed*es), Born to die, Heaven is a beautiful place | 30 |
| Good things ; Look up high ; God has a different plan ... [et al.], Good things | 30 |
| Healing spirit & 30 other titles; designs, I'm not my fault coin, Alateen teenager in recovery | 30 |
| Howlin' wind. Artist: Graham Parker, sound recording: Phonogram, Inc, Maneuvers | 25 |
| How wings are attached to the backs of angels = Comment les ailes sont attachees au dos des anges | 30 |
| I fell from your heart (Falling off the moon), Volcano, My perception | 28 |
| I gotta get my sugar (while the gettin's good) Words & music: Rusty Gabbard (Arthur Gabbard) | 30 |
| I'm yours (use me anyway you want to), In my own time, In my limousine | 30 |
| Is it hot in here, or is just me? (part II) (Coach) PA 775-555, Gimmie some more | 26 |
| Isn't love supposed to last forever? w Doreen Campbell; m Gary Eroyan, Playing for keeps | 30 |
| I thought I heard the rain, Under one sky, Faded wedding gown | 28 |
| It's a boy! It's a girl! It's a magnet! Magnetic birth announcements, It's a boy! | 26 |
| John A. MacDonald: the impossible idea; motion picture. Author of renewable matter: National Film Board of Canada part 2 | 22 |
| Justice denied, a history of the Japanese in the United States, Silicone solution | 27 |
| Just watch me! funny things to be and see, Do you?, She's a keeper | 28 |
| Let's live forever ; Trip ; Hello wonderful ... [et al.], Gift of the whales, Winter wolf | 22 |
| Lippincott's basic reading. Bk. K. Text: Glenn McCracken & Charles C. Walcutt, ill.: Ronald D. Schwartz, Unada Gliewe & Richard Baldwin | 30 |
| Meanings and powers of colors, God, Cubes | 30 |
| Medical clinics of North America. Vol. 46, no. 5, Sept. 1962. Boston number. Specific methods of treatment. By William Dameshek, Louis Weinstein, Samuel L. Katz | 30 |
| Mother Earth (she's the dirt) ; Give me some (love and affection) | 30 |
| Multiple system trauma--a matter of minutes, From nothing to Supaphat, Backseat dreams | 29 |
| My grandmother was a spy, or A time for gathering stones | 30 |
| Neurotica, middle age spread, and other life crises, Cattle ranch, & other titles | 30 |
| Neurotica, middle age spread, and other life crises, Where credit is due, Shared rhythm = Rythme du monde | 30 |
| Norman McLaren, the master's edition =, Dad's house, mom's house, Alias Will James | 30 |
| Norman McLaren, the master's edition =, Some sweet someday, Fear of a female planet | 30 |
| Notice of intent to enforce a copyright restored under the Uruguay Round Agreements Act part 9 | 30 |
| Novel methods of approach to the synthesis of nonlinear optical materials based on heterocycles | 27 |
| Perspectives on illusion: setting and staging in drama. By Maryland Public Television. (Literary visions, program no. 21) | 30 |
| Renee Reichert, advertising, editorial, institutional, children's art, The cat came back | 28 |
| Romance of transportation in Canada & other titles, Bully dance = La danse des brutes | 30 |
| Sitting in limbo. From album Tom thumb the dreamer, I don't get no sex, Race like hell today | 30 |
| Sonata in D. For double bass & piano (contrabass & piano) Music: James Myron Cohn (with contrabass part transcribed by the composer for violoncello) part 4 | 30 |
| Songs from Lemon Hill and other dead fruit, Apples and oranges, Dazed rocket collection | 28 |
| SR-87/SR-86 isotopic age determination of upper Cretaceous Santonian, Campanian and Maastrichtian chondrichthyan teeth of the Atlantic and Eastern gulf coastal plains | 30 |
| Stress, distress and the Cornell environment, All the years of yesterdays, The person in context | 30 |
| Studies of investment apporaches and characteristics associated with exceptional returns | 29 |
| Studies on protein kinase C isoforms and A major PKC substrate in rat 6 embryo fibroblasts | 20 |
| The 3rd collection of songs by John A. Smith, Jr, The rebellion of Young David, A gift for Kate | 30 |
| The best time of your life. Vocal leadsheet 61-P-TJC-18-RA (GE Theatre-WDW) w & m Walt Disney Productions, employer for hire | 30 |
| The bicycle as vehicle to women's emancipation as reflected in popular culture, 1888-1900 | 26 |
| The Cuban missile crisis, developing a prescriptive model for handling nuclear age crisis | 30 |
| The devil you know (God is a man) SR 280-869, My false heart, Beauty like the night | 27 |
| The forbidden one, & 1 other selection, Holyoke, Audubon Park | 30 |
| The great liners. (The seafarers) TX 223-797 (1979), From Jesus with love, Mine for the takin' | 25 |
| The kitchen ; Mixed emotions "alright" ; Answers in retrospect ; Tribute ... [et. al.] | 30 |
| The last straw and sociability. Additions & revisions to text: Charles Dizenzo, Lloyd and Lee | 30 |
| The Marzipan pig & 3 other titles; animated television programs, Front, side, back | 30 |
| The old man in the mirror (is taking my place) Authors: Kerry Kurt Phillips, Nate Finley & Terry Finley part 3 | 30 |
| The Organ in church; 32 selections for the organ with registration for pipe and Hammond organ. Original compositions and arrangements: Frank W. Asper | 29 |
| The Relationship between the self-esteem of primiparous women and their perception of their neonates | 30 |
| The rise and fall of western colonialism; a historical survey from the early nineteenth century to the present. By Stewart C. Easton | 30 |
| The road ahead & 3 other songs, Samba de garde, Vince | 30 |
| The roles of classroom teacher leaders in supporting implementation of the interactive mathematics program curriculum | 30 |
| The Sassoons: portrait of a dynasty. By Stanley Jackson, Alchemist, How to set-up and operate a day care center | 30 |
| The Shepherd and his love & 2 other titles part 3 | 30 |
| The Silent world. Illustrated with photos. by Jacques-Yves Cousteau, with Frederic Dumas | 30 |
| The social construction of a rural Latino immigrant ethnic identity, Fat chance, Encrucijada | 27 |
| The Toad elevating moment, Baby blues, West Side rock | 30 |
| The wanderer above the clouds | 30 |
| The Western Abenakis of Vermont, 1600-1800, The world turned upside down, Our hearts fell to the ground | 25 |
| Tutenkhamun and the golden age of the pharaohs, Egypt of the pharohs, The Tennyson album | 30 |
| Two sisters and the pot bellied stove, Two sisters | 30 |
| What do you mean I'm a health nut? This course gets me out once a week! By Bannister, author of renewable matter: Brown & Bigelow, Inc | 30 |
| What's the worst thing you ever did?, The apprenticeship of life, The darkness a.k.a. The essence | 30 |
| What you trying to do? By Mack Rice, pseud. of Bonny Rice; Oriell Robberts, Mary H. Davis & Maxine Jones part 2 | 28 |
| When the day beomes my wedding day. w & m Robert Lee Ragan, Winter '96 compositions | 30 |
| Why can't a man be more like a woman?, No problem, Baby merchant | 28 |
| You still make me feel like seventeen, The Phoenix rises, The Phoenix | 30 |
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