Southern Music Publishing Company, Ltd. documents |
title | Number of documents |
A Bench in a lamplit square. Words & music: John Hardy, Norman Heller, & Alec Haye, pseud. of Harry Roy | 30 |
Andantino--for organ (with Hammond organ registration) & 1 other title, Sour serenade | 30 |
A Record with pictures from New Zealand, Is this the future?, King of the highway | 30 |
Blame it on the black man & 11 other titles, Answer my prayer, & 4 other songs, Faith (in the power of love) | 27 |
(Chantilly, silly, sort of daffy as a dilly, little fussy, little frilly, little) one piece bathing suit. w & m Johnny Brandon, & Stuart Wiener | 30 |
Characterization and design of liquid crystal polymer (LCP) based multilayer RF components and packages | 30 |
Come dancing; signature tune of the B. B. C. television series. m Hubert W. David & Ray Downes, arr. Brian Fahey | 28 |
Custom tailored oil and gas investment programs--Royal Petroleum Properties, Inc., and Empire Securities, Inc | 24 |
Depuis tourjours. English words: Bob Musel, music: Ludwig H. Ulrich & Robert Stolz, French words: Jean Loysel, pseud. of Auguste Schmutz, & Rolf Marbot, pseud. of Albrecht Marcuse | 30 |
Did you ever hear a heart break, and lyrics for 1 other song, Just can't stop, My heart took a photograph of you | 30 |
Dry farming in the northern Great Plains, 1900-1925. By Mary Wilma Massey Hargreaves | 30 |
Ever since you said "goodbye" & 2 other titles, I'll never understand. w & m Alan Fielding | 27 |
Failure. Value. A student baby ... [et al.] By Andrew Hartwell, Antony Sylvester, James Tilley, Chris Turner & Kevin Williams part 3 | 30 |
For your love (cues) Composed by E. I. Canning & Bill Maxwell | 30 |
Half a chance, & 1 other selection | 27 |
Help me when I need you, Cruising | 26 |
If I had wings; (Liebchens Bote) SATB a cappella. By Harold Heiberg & Herbert Zipper. (The Arthur Jordan choral series) | 30 |
If you asked me to. From License to kill. By Diane Warren, I confess, Who will you run to? | 30 |
I like animals. From I've gotta horse. By David Heneker & John Taylor, piano arr. Brittania Music Company, Ltd., employer for hire of Chris Langdon | 30 |
I suddenly. m Harold Cornelius (pseud. of Harold Cornelius Fields) & Dominic John (pseud. of Joseph Dominic Roncoroni), w Bob Halfin (Robert Halfin) | 27 |
I tell Jesus. w & m C. Carter, arr. & harmonization: Bowles Music House, employer for hire of Virginia Davis | 30 |
Jack in the box. Words, music & orchestrations: Harry Gershman, words & music: Freeda Goodman, piano arr.: Goodman and Gershman, Inc | 30 |
King Rat march. m Columbia Pictures Corporation, employer for hire of John Barry; piano arr. Screen Gems-Columbia Music, Inc., employer for hire of Al Gafa | 30 |
La Menagerie des jouets (the toy menagerie) Musical composition, Mundahs live, VisiWord word processing for you and your business | 30 |
Let them talk.j By Lenny McDaniel, Wallace McDaniel & James C. Layacano, What you gonna do when this world on fire? | 30 |
Little snowman, little snowgirl. Words & music: Johnny Sheridan, Ralph Ruvin, Bob Halfin & Harold Irvin, pseud. of Harold Shaberman | 30 |
Lovely (Alskling) & 1 other title, Teenage world. w & m Basil Kirchin, Minor mambo. Music: Basil Kirchin & Dave Lindup | 30 |
Money made easy, the ABC kids' guide to dollars & sense, Exotica, Swingin' back doors | 30 |
My baby told me that she loves me. For voice & piano, melody also in tonic sol-fa notations. w & m Desmond O'Connor & Ray Hartley | 30 |
New music for the piano; collection of 24 compositions. m Josef Prostakoff, Samuel Adler, Josef Alexander, and others | 30 |
Nothing so strange. w & m Barbara Nelson (Barbara Nelson-Jones) & Denny Wright (Denys-Justin Wright) | 30 |
Only for you & 2 other titles | 30 |
Please don't forget to remember; or, Darling mine. From the production As long as they're happy. Music by Jack Strachey, lyric by Vernon Sylvaine | 30 |
Richie Rich. Vol. 1, no. 18, July 1963. By Harvey Feature Syndicate, Richie Rich | 30 |
Ripley's Believe It Or Not! Animal book. By Believe It Or Not, Inc., employer for hire of Robert L. Ripley & Doug Storer | 30 |
Something's comin' off tonight. From Promise her anything. By Paramount Pictures Corporation, employer for hire of Ron Grainer (words & music), & Famous Music Corporation, employer for hire of George Terry (arr.) | 30 |
Songs for a North Virginia man, Seagull, Janie | 25 |
So wide the world. From A Global affair. By Seven Arts Associated Corporation, employer for hire of Dorcas Cochran (w) & Dominic Frontiere (m) | 30 |
Square Egg Pros proudly presents Celery the Dragon in Celery the Dragon and his search for the Majic [sic] Griffon | 30 |
Still walkin' away ; Howlin' at the moon ; Highway man ... [et al.], Tanith, Convincing people | 30 |
Tantalizin' teens. w & m Mack Kay, pseud. of Mack Kay Higginbotham & Richard Evans, pseud. of Richard E. Kunitz | 30 |
The Effects of a behavioral self-management counseling program upon .., Better not mess with Texas | 26 |
The First house in Connaught ; Sailor's bonnet, Longbone, Marigold/Harvest home | 25 |
The Journals and miscellaneous notebooks of Ralph Waldo Emerson. Vol. 1, 1819-1822. Editor: William Henry Gilman, with Alfred R. Ferguson, George Pierce Clark & Merrell Rees Davis | 30 |
This is love (I can feel it) | 30 |
Three fragments from "A Portrait of the artist as a young man"; chamber cantata for speaker, mixed chorus (wordless) and instrumental ensemble. w James Joyce, score: Ian Manson Kemp, m Matyas Seiber | 30 |
Verboten Liebe. w & m Don Johnston, Diane Johnston, Bill Smith & George Campbell | 30 |
Viejo nopal. w & m Jose Castilla & Miguel Diaz DeCastilla (a.k.a. Cuates Castilla) | 30 |
Western helocopter [sic] By Paul Robinson & David Emanuel, Realization, Nemesis collection | 30 |
What do we prove? w & m Calvin Carter, Larry Graves, & Verne Allison, Michael McGill, John Carter, Chuck Barksdale & Marvin C. Junior (members of the Dells) | 30 |
You're somebody that nobody cares for, you're not a queen anymore. w & m Patrick "Pat" Ralph Rizzo & Marie "Jean DeVille" Rizzo | 30 |
Y'shua; an Old-Testament musical about the resur[r]ection and the Messiah. By Stanley D. Williams & Pamela S. Williams part 3 | 30 |
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