Part three: 49. Then shall be brought to pass, 50. o death, where is thy sting? 51. but thanks be to God. From Handel: Messiah: favorite choruses and arias part 3



Handel: Messiah (highlights) VA 143-701 (1983)

Document number:
V2307P469
Date of Recordation:
December 28, 1987
Entire Copyright Document:
V2307 P1-551
Title:
Handel: Messiah (highlights) VA 143-701 (1983)
Variant title:
Handel: Messiah (highlights)
Title appears in Document:
Bringing it home & 14,449 other titles. (Part 060 of 071)

Handel: Messiah (complete) Johannes Somary/English Chamber Orchestra

Document number:
V2583P508
Date of Recordation:
March 25, 1991
Entire Copyright Document:
V2583P508-525
Registration Number Not Verified:
SR 23-673.
Title:
Handel: Messiah (complete) Johannes Somary/English Chamber Orchestra / SR 23-673.
Number of similar titles:
1
Variant title:
Handel: Messiah (complete)
Title appears in Document:
Songs of the Auvergne & 228 other titles; sound recordings.

Part one: 1. Sinfonia (overture) From Handel: Messiah: favorite choruses and arias

Document number:
V3537D003
Date of Recordation:
March 21, 2006
Entire Copyright Document:
V3537 D002-045 P1-199
Registration Number Not Verified:
SR 102-202.
Title:
Part one: 1. Sinfonia (overture) From Handel: Messiah: favorite choruses and arias / artists, Robert Shaw, Atlanta Symphony Orchestra and Chamber Chorus, Kaaren Erickson et al. SR 102-202.
Variant title:
Handel: Messiah: favorite choruses and arias
Title appears in Document:
Holst: first suite in E-flat: I. chaconne & 8747 other titles (part 002 of 044)

Part one: 2. Comfort ye, my people, 3. every valley shall be exalted. From Handel: Messiah: favorite choruses and arias

Document number:
V3537D003
Date of Recordation:
March 21, 2006
Entire Copyright Document:
V3537 D002-045 P1-199
Registration Number Not Verified:
SR 102-202.
Title:
Part one: 2. Comfort ye, my people, 3. every valley shall be exalted. From Handel: Messiah: favorite choruses and arias / artists, Robert Shaw, Atlanta Symphony Orchestra and Chamber Chorus, Kaaren Erickson et al. SR 102-202.
Variant title:
Handel: Messiah: favorite choruses and arias
Title appears in Document:
Holst: first suite in E-flat: I. chaconne & 8747 other titles (part 002 of 044)

Part one: 4. And the glory of the Lord. From Handel: Messiah: favorite choruses and arias

Document number:
V3537D003
Date of Recordation:
March 21, 2006
Entire Copyright Document:
V3537 D002-045 P1-199
Registration Number Not Verified:
SR 102-202.
Title:
Part one: 4. And the glory of the Lord. From Handel: Messiah: favorite choruses and arias / artists, Robert Shaw, Atlanta Symphony Orchestra and Chamber Chorus, Kaaren Erickson et al. SR 102-202.
Variant title:
Handel: Messiah: favorite choruses and arias
Title appears in Document:
Holst: first suite in E-flat: I. chaconne & 8747 other titles (part 002 of 044)

Part one: 7. And He shall purify. From Handel: Messiah: favorite choruses and arias

Document number:
V3537D003
Date of Recordation:
March 21, 2006
Entire Copyright Document:
V3537 D002-045 P1-199
Registration Number Not Verified:
SR 102-202.
Title:
Part one: 7. And He shall purify. From Handel: Messiah: favorite choruses and arias / artists, Robert Shaw, Atlanta Symphony Orchestra and Chamber Chorus, Kaaren Erickson et al. SR 102-202.
Variant title:
Handel: Messiah: favorite choruses and arias
Title appears in Document:
Holst: first suite in E-flat: I. chaconne & 8747 other titles (part 002 of 044)

Part one: 8. Behold, a virgin shall conceive, 9. o thou that tellest good tidings to Zion. From Handel: Messiah: favorite choruses and arias

Document number:
V3537D003
Date of Recordation:
March 21, 2006
Entire Copyright Document:
V3537 D002-045 P1-199
Registration Number Not Verified:
SR 102-202.
Title:
Part one: 8. Behold, a virgin shall conceive, 9. o thou that tellest good tidings to Zion. From Handel: Messiah: favorite choruses and arias / artists, Robert Shaw, Atlanta Symphony Orchestra and Chamber Chorus, Kaaren Erickson et al. SR 102-202.
Variant title:
Handel: Messiah: favorite choruses and arias
Title appears in Document:
Holst: first suite in E-flat: I. chaconne & 8747 other titles (part 002 of 044)

Part one: 12. For unto us a child is born. From Handel: Messiah: favorite choruses and arias

Document number:
V3537D003
Date of Recordation:
March 21, 2006
Entire Copyright Document:
V3537 D002-045 P1-199
Registration Number Not Verified:
SR 102-202.
Title:
Part one: 12. For unto us a child is born. From Handel: Messiah: favorite choruses and arias / artists, Robert Shaw, Atlanta Symphony Orchestra and Chamber Chorus, Kaaren Erickson et al. SR 102-202.
Variant title:
Handel: Messiah: favorite choruses and arias
Title appears in Document:
Holst: first suite in E-flat: I. chaconne & 8747 other titles (part 002 of 044)

Part one: 18. Rejoice greatly, o daughter of Zion. From Handel: Messiah: favorite choruses and arias

Document number:
V3537D003
Date of Recordation:
March 21, 2006
Entire Copyright Document:
V3537 D002-045 P1-199
Registration Number Not Verified:
SR 102-202.
Title:
Part one: 18. Rejoice greatly, o daughter of Zion. From Handel: Messiah: favorite choruses and arias / artists, Robert Shaw, Atlanta Symphony Orchestra and Chamber Chorus, Kaaren Erickson et al. SR 102-202.
Variant title:
Handel: Messiah: favorite choruses and arias
Title appears in Document:
Holst: first suite in E-flat: I. chaconne & 8747 other titles (part 002 of 044)

Part two: 37. The Lord gave the word. From Handel: Messiah: favorite choruses and arias

Document number:
V3537D003
Date of Recordation:
March 21, 2006
Entire Copyright Document:
V3537 D002-045 P1-199
Registration Number Not Verified:
SR 102-202.
Title:
Part two: 37. The Lord gave the word. From Handel: Messiah: favorite choruses and arias / artists, Robert Shaw, Atlanta Symphony Orchestra and Chamber Chorus, Kaaren Erickson et al. SR 102-202.
Variant title:
Handel: Messiah: favorite choruses and arias
Title appears in Document:
Holst: first suite in E-flat: I. chaconne & 8747 other titles (part 002 of 044)

Part two: 39. Their sound is gone out. From Handel: Messiah: favorite choruses and arias

Document number:
V3537D003
Date of Recordation:
March 21, 2006
Entire Copyright Document:
V3537 D002-045 P1-199
Registration Number Not Verified:
SR 102-202.
Title:
Part two: 39. Their sound is gone out. From Handel: Messiah: favorite choruses and arias / artists, Robert Shaw, Atlanta Symphony Orchestra and Chamber Chorus, Kaaren Erickson et al. SR 102-202.
Variant title:
Handel: Messiah: favorite choruses and arias
Title appears in Document:
Holst: first suite in E-flat: I. chaconne & 8747 other titles (part 002 of 044)

Part two: 40. Why do the nations? 41. let us break their bonds asunder. From Handel: Messiah: favorite choruses and arias

Document number:
V3537D003
Date of Recordation:
March 21, 2006
Entire Copyright Document:
V3537 D002-045 P1-199
Registration Number Not Verified:
SR 102-202.
Title:
Part two: 40. Why do the nations? 41. let us break their bonds asunder. From Handel: Messiah: favorite choruses and arias / artists, Robert Shaw, Atlanta Symphony Orchestra and Chamber Chorus, Kaaren Erickson et al. SR 102-202.
Variant title:
Handel: Messiah: favorite choruses and arias
Title appears in Document:
Holst: first suite in E-flat: I. chaconne & 8747 other titles (part 002 of 044)

Part two: 42. He that dwelleth in Heaven, 43. Thou shalt break them. From Handel: Messiah: favorite choruses and arias

Document number:
V3537D003
Date of Recordation:
March 21, 2006
Entire Copyright Document:
V3537 D002-045 P1-199
Registration Number Not Verified:
SR 102-202.
Title:
Part two: 42. He that dwelleth in Heaven, 43. Thou shalt break them. From Handel: Messiah: favorite choruses and arias / artists, Robert Shaw, Atlanta Symphony Orchestra and Chamber Chorus, Kaaren Erickson et al. SR 102-202.
Variant title:
Handel: Messiah: favorite choruses and arias
Title appears in Document:
Holst: first suite in E-flat: I. chaconne & 8747 other titles (part 002 of 044)

Part two: 44. Hallelujah. From Handel: Messiah: favorite choruses and arias

Document number:
V3537D003
Date of Recordation:
March 21, 2006
Entire Copyright Document:
V3537 D002-045 P1-199
Registration Number Not Verified:
SR 102-202.
Title:
Part two: 44. Hallelujah. From Handel: Messiah: favorite choruses and arias / artists, Robert Shaw, Atlanta Symphony Orchestra and Chamber Chorus, Kaaren Erickson et al. SR 102-202.
Variant title:
Handel: Messiah: favorite choruses and arias
Title appears in Document:
Holst: first suite in E-flat: I. chaconne & 8747 other titles (part 002 of 044)

Part three: 45. I know that my Redeemer liveth. From Handel: Messiah: favorite choruses and arias

Document number:
V3537D003
Date of Recordation:
March 21, 2006
Entire Copyright Document:
V3537 D002-045 P1-199
Registration Number Not Verified:
SR 102-202.
Title:
Part three: 45. I know that my Redeemer liveth. From Handel: Messiah: favorite choruses and arias / artists, Robert Shaw, Atlanta Symphony Orchestra and Chamber Chorus, Kaaren Erickson et al. SR 102-202.
Variant title:
Handel: Messiah: favorite choruses and arias
Title appears in Document:
Holst: first suite in E-flat: I. chaconne & 8747 other titles (part 002 of 044)

Part three: 46. Since by man came death. From Handel: Messiah: favorite choruses and arias

Document number:
V3537D003
Date of Recordation:
March 21, 2006
Entire Copyright Document:
V3537 D002-045 P1-199
Registration Number Not Verified:
SR 102-202.
Title:
Part three: 46. Since by man came death. From Handel: Messiah: favorite choruses and arias / artists, Robert Shaw, Atlanta Symphony Orchestra and Chamber Chorus, Kaaren Erickson et al. SR 102-202.
Variant title:
Handel: Messiah: favorite choruses and arias
Title appears in Document:
Holst: first suite in E-flat: I. chaconne & 8747 other titles (part 002 of 044)

Part three: 49. Then shall be brought to pass, 50. o death, where is thy sting? 51. but thanks be to God. From Handel: Messiah: favorite choruses and arias

Document number:
V3537D003
Date of Recordation:
March 21, 2006
Entire Copyright Document:
V3537 D002-045 P1-199
Registration Number Not Verified:
SR 102-202.
Title:
Part three: 49. Then shall be brought to pass, 50. o death, where is thy sting? 51. but thanks be to God. From Handel: Messiah: favorite choruses and arias / artists, Robert Shaw, Atlanta Symphony Orchestra and Chamber Chorus, Kaaren Erickson et al. SR 102-202.
Variant title:
Handel: Messiah: favorite choruses and arias
Title appears in Document:
Holst: first suite in E-flat: I. chaconne & 8747 other titles (part 002 of 044)

Part three: 53. Worthy is the Lamb, amen. From Handel: Messiah: favorite choruses and arias

Document number:
V3537D003
Date of Recordation:
March 21, 2006
Entire Copyright Document:
V3537 D002-045 P1-199
Registration Number Not Verified:
SR 102-202.
Title:
Part three: 53. Worthy is the Lamb, amen. From Handel: Messiah: favorite choruses and arias / artists, Robert Shaw, Atlanta Symphony Orchestra and Chamber Chorus, Kaaren Erickson et al. SR 102-202.
Variant title:
Handel: Messiah: favorite choruses and arias
Title appears in Document:
Holst: first suite in E-flat: I. chaconne & 8747 other titles (part 002 of 044)

Behold, a virgin shall conceive--alto recitative. From Handel: Messiah

Document number:
V3535D892
Date of Recordation:
January 17, 2006
Entire Copyright Document:
V3535 D890-908 P1-67
Registration Number Not Verified:
SR 154-325.
Title:
Behold, a virgin shall conceive--alto recitative. From Handel: Messiah / artists, Martin Pearlman & Boston Baroque. SR 154-325.
Variant title:
Handel: Messiah
Title appears in Document:
Orff: Carmina burana, introduction, Fortune, empress of the world (nos. 1, 2) & 4115 other titles (part 003 of 019)

O thou that tellest good tidings to Zion--alto air & chorus. From Handel: Messiah

Document number:
V3535D892
Date of Recordation:
January 17, 2006
Entire Copyright Document:
V3535 D890-908 P1-67
Registration Number Not Verified:
SR 154-325.
Title:
O thou that tellest good tidings to Zion--alto air & chorus. From Handel: Messiah / artists, Martin Pearlman & Boston Baroque. SR 154-325.
Variant title:
Handel: Messiah
Title appears in Document:
Orff: Carmina burana, introduction, Fortune, empress of the world (nos. 1, 2) & 4115 other titles (part 003 of 019)

For behold, darkness shall cover the Earth--bass recitative. From Handel: Messiah

Document number:
V3535D892
Date of Recordation:
January 17, 2006
Entire Copyright Document:
V3535 D890-908 P1-67
Registration Number Not Verified:
SR 154-325.
Title:
For behold, darkness shall cover the Earth--bass recitative. From Handel: Messiah / artists, Martin Pearlman & Boston Baroque. SR 154-325.
Variant title:
Handel: Messiah
Title appears in Document:
Orff: Carmina burana, introduction, Fortune, empress of the world (nos. 1, 2) & 4115 other titles (part 003 of 019)

The people that walked in darkness--bass air. From Handel: Messiah

Document number:
V3535D892
Date of Recordation:
January 17, 2006
Entire Copyright Document:
V3535 D890-908 P1-67
Registration Number Not Verified:
SR 154-325.
Title:
The people that walked in darkness--bass air. From Handel: Messiah / artists, Martin Pearlman & Boston Baroque. SR 154-325.
Variant title:
Handel: Messiah
Title appears in Document:
Orff: Carmina burana, introduction, Fortune, empress of the world (nos. 1, 2) & 4115 other titles (part 003 of 019)

Pifa (pastoral symphony) From Handel: Messiah

Document number:
V3535D892
Date of Recordation:
January 17, 2006
Entire Copyright Document:
V3535 D890-908 P1-67
Registration Number Not Verified:
SR 154-325.
Title:
Pifa (pastoral symphony) From Handel: Messiah / artists, Martin Pearlman & Boston Baroque. SR 154-325.
Variant title:
Handel: Messiah
Title appears in Document:
Orff: Carmina burana, introduction, Fortune, empress of the world (nos. 1, 2) & 4115 other titles (part 003 of 019)

There were shepherds--soprano recitative/And lo, the angel of the Lord came upon them--soprano recitative. From Handel: Messiah

Document number:
V3535D892
Date of Recordation:
January 17, 2006
Entire Copyright Document:
V3535 D890-908 P1-67
Registration Number Not Verified:
SR 154-325.
Title:
There were shepherds--soprano recitative/And lo, the angel of the Lord came upon them--soprano recitative. From Handel: Messiah / artists, Martin Pearlman & Boston Baroque. SR 154-325.
Variant title:
Handel: Messiah
Title appears in Document:
Orff: Carmina burana, introduction, Fortune, empress of the world (nos. 1, 2) & 4115 other titles (part 003 of 019)

And the angel said unto them--soprano recitative. From Handel: Messiah

Document number:
V3535D892
Date of Recordation:
January 17, 2006
Entire Copyright Document:
V3535 D890-908 P1-67
Registration Number Not Verified:
SR 154-325.
Title:
And the angel said unto them--soprano recitative. From Handel: Messiah / artists, Martin Pearlman & Boston Baroque. SR 154-325.
Variant title:
Handel: Messiah
Title appears in Document:
Orff: Carmina burana, introduction, Fortune, empress of the world (nos. 1, 2) & 4115 other titles (part 003 of 019)

And suddenly there was with the angel--soprano recitative. From Handel: Messiah

Document number:
V3535D892
Date of Recordation:
January 17, 2006
Entire Copyright Document:
V3535 D890-908 P1-67
Registration Number Not Verified:
SR 154-325.
Title:
And suddenly there was with the angel--soprano recitative. From Handel: Messiah / artists, Martin Pearlman & Boston Baroque. SR 154-325.
Variant title:
Handel: Messiah
Title appears in Document:
Orff: Carmina burana, introduction, Fortune, empress of the world (nos. 1, 2) & 4115 other titles (part 003 of 019)

Rejoice greatly, O daughter of Zion--soprano air. From Handel: Messiah

Document number:
V3535D892
Date of Recordation:
January 17, 2006
Entire Copyright Document:
V3535 D890-908 P1-67
Registration Number Not Verified:
SR 154-325.
Title:
Rejoice greatly, O daughter of Zion--soprano air. From Handel: Messiah / artists, Martin Pearlman & Boston Baroque. SR 154-325.
Variant title:
Handel: Messiah
Title appears in Document:
Orff: Carmina burana, introduction, Fortune, empress of the world (nos. 1, 2) & 4115 other titles (part 003 of 019)

Then shall the eyes of the blind--alto recitative. From Handel: Messiah

Document number:
V3535D892
Date of Recordation:
January 17, 2006
Entire Copyright Document:
V3535 D890-908 P1-67
Registration Number Not Verified:
SR 154-325.
Title:
Then shall the eyes of the blind--alto recitative. From Handel: Messiah / artists, Martin Pearlman & Boston Baroque. SR 154-325.
Variant title:
Handel: Messiah
Title appears in Document:
Orff: Carmina burana, introduction, Fortune, empress of the world (nos. 1, 2) & 4115 other titles (part 003 of 019)
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