| Friedrich Wilhelm-Murnau-Stiftung documents |
| title | Number of documents |
|---|
| 50 Jahre "Die lustige Witwe"; Fantasie fuer Klavier und Orchester ueber Melodien. Aus Franz Lehar's gleichnamiger Operette. Music (fantasy) and arr. Heinz Sandauer | 30 |
| Abenteuer in zwei Welten; mein leben als arzt und Schriftsteller. By A. J. Cronin, translation by Alexandra Brun | 27 |
| A bibliography of United States-Latin American relations since 1810; a selected list of eleven thousand published references. Compiled & edited by David F. Trask, Michael C. Meyer & Roger R. Trask | 30 |
| Acht chansons nach Gedichten von Erich Kaestner. Fuer mittlere Singstimme und Klavier. m Gerhard Franz Wimberger | 27 |
| Acid-base biochemistry; pt. 2: sodium and chloride distribution, pt. 3: potassium and the cellular compartment, pt. 4: calcium and phosphorus, pt. 5: gas transport, pt. 6: neutrality regulation 1, pt. 7: renal correction of the neutrality. By Halvor N. Christensen part 3 | 30 |
| A first-hand faith: on owning up to the word that claims us all, If it ever rains gold. w & m Naomi Martin & Paul Martin | 30 |
| Akahi ho-i. w & m Kalakaua, & John Kalapana, pseud. of Webley Edwards, This you can do. w & m Virginia M. Simon | 30 |
| Amor and Psyche: the psychic development of the feminine; a commentary on the tale by Apuleius. By Erich Neumann, translator: Princeton University Press, employer for hire of Ralph Manheim part 2 | 30 |
| A Straw hat and a cane. English lyrics: Roy Alfred, music & original German words: Fritz Rotter & Heino Gaze | 30 |
| Bambi. By Felix Salten, illustrated by Nelson Doubleday, Inc., as employer in a work made for hire of Girard Goodenow | 25 |
| Ben & me. Vocal/piano sketch. From Ben & me. Words & music: Walt Disney Productions, employer for hire of Oliver Wallace | 30 |
| Between & 17 other titles. By Billy Sideman & co-authors as noted, Svengali, A happy ending & 8 other titles | 30 |
| Das Geheimnis der Drei Dschunken; motion picture. By ARCA Filmproduction, G.m.b.H | 30 |
| Das Madchen mit dem guten Ruf =, Die Frau des Botschafters =, Anuschka | 22 |
| Dem Dunkeln Schoss der heilgen Erde = The Work of man will grow and flower, The robbers | 27 |
| Der Mann, der Sherlock Holmes war. =, Das war mein Leben =, Eines Tages = | 30 |
| Der Mann, der Sherlock Holmes war. =, Fraulein =, Am seidenen Faden = | 30 |
| Der Vogelhaendler; Operetta-Fantasie. Fuer Salon-Orchester-gr. Orchester. By Carl Zeller, bearb. von Wilhelm Lutz | 27 |
| Die seltsame Geschichte des Brandner Kasper =, Alarm in Peking, Die schwache Stunde = | 30 |
| Die seltsame Geschichte des Brandner Kasper =, Der Hochtourist =, Der Tater ist unter uns = | 30 |
| Die seltsame Geschichte des Brandner Kasper =, Soldatensender Calais =, Ein Stuck vom Himmel = | 22 |
| Die sieben Tochter der Frau Gyurkovics =, Le chemin de Damas =, Coq en pate = | 27 |
| Die Wirklichkeit des Unwirklichen; Untersuchungen ueber die Realitaet der Dichtung. By Frank Thiess | 28 |
| Dreaming ; I love you ; Don't fight ... [et al.], Dreaming, & 1 other song, Dreaming. By Julian Jonah | 28 |
| Durango, Mesa Verde, Farmington, Bismarck, Peoria | 30 |
| Escape from Doubting Castle. Ill. for The Pilgrim's progress by William Blake, author of renewable matter: the Frick Collection | 30 |
| Farewell. Words & music: Dave Bartholomew, Ruth Durand & Joseph Robichaux, Auf Wiedersehen. By Walburga M. Cech | 29 |
| Farfalla dalle ali insanguinate =, Winged devils, Wifemistress | 30 |
| Fell in another well. w & m Lori-Jean Tartaglia, 1962-; m Rick Miller, 1961, La oveja negra = | 30 |
| Finally. By Edward T. Riley (d.b.a. Donril Music), Lamanga Kafi, Hezekiah Walker part 2 | 30 |
| For kings only; novel. By Curt Siodmak, Donovan's brainiac, FP1 antwortet nicht = | 25 |
| Four European plays. Edited by Armand Zimmermann, translation by Michael Meyer, compilation, introd., pedagogical equipment & p. 539-547: Macmillan Company | 30 |
| Frauen sind doch bessere Diplomaten =, Erzieherin gesucht =, Prinzessin Turandot = | 30 |
| Friedrich Schiller--Triumph eines Genies =, Romanze in Moll =, Einer zuviel an Bord = | 30 |
| Goethe's Faust. Pt. 1: the Bayard Taylor translation. Rev. and edited and with a new introd. by the Crowell-Collier Publishing Company, employer for hire of Stuart Atkins | 30 |
| Gold, glory, and Custer (prelude); motion picture. By Warner Brothers Pictures, Inc part 3 | 30 |
| Hermine und die sieben Aufrechten, Eine Frau kommt in die Tropen =, Ein gewisser Herr Gran = | 23 |
| Hochzeitspraeludium. Fuer Violine, Orgel (Harmonium) und Harfe. Op. 469. Von Johann Strauss, Jr., nach der autographen Skizze revidiert und zum Vortrag auch ohne Harfe eingerichtet von Fritz Racek | 30 |
| Homecoming. By Jiro Osaragi, introd.: Harold Strauss, translator: Brewster Horwitz | 30 |
| Hymnus. Op. 12. Fuer Alt-Solo, Chor und Orchester. An Goethe [i.e. Johann Wolfgang VonGoethe], Dichtung von Alexander Lernet-Holenia, Musik von Gottfried VonEinem | 30 |
| I believe in the living God; sermons on the Apostles' Creed. Author: Emil Brunner, translator: John Holden | 30 |
| Ich bei Tag und Du bei Nacht =, Geheimnisse des Orients =, Der Kongress tanzt | 26 |
| Illusion part 4 | 30 |
| I love you. w & m Paramount Pictures Corporation, employer for hire of Winston Sharples | 30 |
| I'ma number 1 fool, too. w & m Kathryn Fulton, Teddy Wilburn & Joe D. Taylor, Asphalt | 30 |
| I'm suing you. w & m Marvin "Whitey" Simpson & Tommy Duncan (Thomas Duncan), Love robbery | 30 |
| I need you. m G. Spotti, Italian w V. Bertini, English w Patrick Michael, pseud. of Reg Connelly | 30 |
| Ins Grab kann man nichts mitnehmen =, Der Maulkorb =, Wenn wir alle Engel waren = | 30 |
| Ins Grab kann man nichts mitnehmen =, Um 9 kommt Harald =, Die Sache mit Styx = | 30 |
| Interlude. From the Columbia Pictures release Interlude. Piano vocal arr. Screen Gems-Columbia Music, Inc. (as employer for hire of Larry Stanton) & Domino Productions, Ltd. (as employer for hire of Georges DeLeRue & Hal Shaper) | 30 |
| Jack in the country; a musical comedy in two acts. From The Importance of being earnest, by Oscar Wilde. Book adapted by Arnold Sundgaard, lyrics: Ethan Ayer, m Alec Wilder part 2 | 30 |
| Jack in the country; a musical comedy in two acts. From The Importance of being earnest, by Oscar Wilde. Book adapted by Arnold Sundgaard, lyrics: Ethan Ayer, m Alec Wilder part 4 | 30 |
| Jacqueline part 2 | 30 |
| Jalousie. w Vera Bloom, m Jacob Gade, arr. for organ solo: Harms, Inc., employer for hire of Rosa Rio | 30 |
| Land of love & 5 other titles, Am Rande der Welt =, Need to hear you say I love you | 27 |
| La Paloma part 3 | 22 |
| Le diable et les dix commandments, Tolstoy's Anna Karenina, The drum | 25 |
| Manon Lescaut. By G. Puccini [i.e. Giacomo Puccini], new German translation of libretto: Joachim Popelka & Georg Winkler | 30 |
| Math curriculum and achievement of gifted and non-gifted students on .., Untitled Damon Wayans/undercover cop project | 30 |
| Metropolis part 2 | 30 |
| Michael part 3 | 30 |
| Morgen Mittag, 12 Uhr; Roman eines Justizirrtums. By Erich Ebermayer, Die Stunde der Versuchung = | 30 |
| Murder at the Baskervilles. (Sherlock Holmes), The secret weapon, Greystone inscription. (Sherlock Holmes) | 30 |
| Nanun, Sie kennen Korff noch nicht? =, Jugend =, Zwei Welten = | 30 |
| Nanun, Sie kennen Korff noch nicht? =, Kiwi safari, Blutsbruderschaft = | 30 |
| Nathan the Wise, Minna Von Barnhelm, and other plays and writings by Gotthold Ephraim Lessing | 28 |
| Neun von Colette. German translation: Stefanie Neumann, Doris Brehm, Emi Ehm & Luise Wasserthal-Zuccari | 30 |
| Nitetime (in the heart of New York), Blicke wie Magneten, Total egal | 22 |
| Only a cow should go muu-muu. w & m Gladys Rosenthal (Gladys Shelley), Gertie Garcia & Vivian Duncan (Vivian Duncan Herman) part 2 | 30 |
| Qui, c'est vrai! English w & m J. Allison, Buddy Holly, J. Mauldin & N. Petty, French lyric by Rolf Marbot, pseud. of Alvys | 30 |
| Relationship between the mediated learning experience, cognitive development, and children's school functioning in mother-child and father-child dyads among Puerto Rican preschoolers from low-socioeconomic settings | 30 |
| Rembrandt | 30 |
| Resurrection: when you pray to God, you don't know who else is listening, Resurrestion [sic] | 30 |
| Rosmarin und Jasmin; Marschfox. Auf an klan'n Bergerl; Volkslied. Words: Bruno Uher, Adolf Steinberg-Frank, Paul Loewinger ; music: Bruno Uher & Paul Loewinger | 30 |
| Schliesse mir die Augen beide. Close, O close my eyes. Music by Alban Berg, 1900 1st setting, 1925 2d setting, English translation by Eric Smith, appendix by Hans Ferdinand Redlich, after words by Theodor Storm part 2 | 30 |
| Sinfonia Es-dur ; Recitativo ed Aria, "Prendi, l'acciar ti rendo", Miserere, Selected letters of E. T. A. Hoffmann | 27 |
| Standard openings. 1963-64. New material and new instrumental arrangements: Walt Disney Productions, as employer for hire of Buddy Baker | 30 |
| Tafelglas, seine Herstellung und Verwendung =, Pink diamonds, Die Prinzessin und der Geiger = | 24 |
| Tafelglas, seine Herstellung und Verwendung =, Zwei Herzen und ein Schlag =, Zwolf Minuten nach zwolf = | 30 |
| Tango della notte. Words: Rene Latin, pseud. of Gunter Schwenn, music: Felipe Alvarez, pseud. of Rudolf Siegel | 30 |
| The Coral; a play in five acts. By Georg Kaiser, introd.: Frederick Ungar Publishing Company, Inc | 30 |
| The Highland fling; adaptation of Wee, wee bonnie lassie. m adaptation: Harold Jenkins (p.k.a. Conway Twitty), Jack Nance & Albert Bruneau part 2 | 30 |
| The impact of organizational commitment on moral reasoning, Urlaub auf Ehrenwort = | 28 |
| The last Don, Part 2, Titanic, The Devil's bed | 30 |
| The Light in my window. By Francena Harriet Arnold, Five Mile Creek, Bang the big drum | 27 |
| (The Original) boogie woogie. For small combos. m Clarence "Pine Top" Smith, arr. Melrose Music Corporation, employer for hire of Johnny Warrington | 27 |
| The poet's eye, an introduction to poetry for young people. Text: Arthur Alexander, ill.: Collen Browning part 2 | 30 |
| The Prowler; motion picture photoplay dramatization. By Eagle Productions, Inc, Waldo, tell me about God ; Waldo, tell me about guardian angels | 30 |
| The Sixth Amendment to the Constitution of the United States; a study in Constitutional development. By Francis Howard Heller | 23 |
| The transfer and diffusion of information technology for organizational resilience part 2 | 28 |
| The Woman taken in adultery and The Poggenpuhl family, The Importance of Nietzsche | 30 |
| Tik-a-tee, tik-a-tay; (Tica ti, tica tay) Easy accordion solos with words. By Pietro Deiro, Jr., Gaetano Lama, Michael Joseph Apruzzese & F. Feola | 30 |
| Twilight; piano solo. m Nancy VanDeVate, artwork: Summy-Birchard Company, Friend. w J. D. Blackfoot, m James B. Fowler | 27 |
| Vagabunden. By B. Traven, Joseph Roth & Manfred Hausmann, editors: Wolfgang Paulsen & Fred L. Fehling, illus.: Gretel Schindler | 29 |
| Vom ungeheuren Appetit nach Fruehstueck und nach Leben, Liebe, Luft und lauter Lugen = | 30 |
| Wait for it; Columbia University players varsity show, 1950 presentation. Lyrics: Joseph McDermott, Leon Spoliansky, Robert LaGuardia & James Hammon, words & music: Philip Springer & Charles E. Kalman | 30 |
| Walin' [sic] the dog. By HBO Films, a division of Home Box Office, a division of Time Warner Entertainment Company, LP part 2 | 30 |
| Wide world of sports (March 1975) From Wide world of sports, Total sports, Die Abenteuerin von Tunis = | 30 |
| You'll lose a good thing. I'm to blame. Artist: Freddy Fender, sound recording: ABC Records, Inc | 30 |
| Zion on the Mississippi. By Walter Otto Forster, Brillianten =, Der Konigswalzer = | 28 |
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