| Hawkes & Son (London) Ltd. documents |
| title | Number of documents |
|---|
| A rose of flesh. By Martin Secker & Warburg, Ltd., employer for hire of John Scott (translator) | 30 |
| Arrivederci, baby. m Paramount Pictures Corporation, employer for hire of Dennis Farnon | 29 |
| Be still ; Confident and unafraid ; Your ways ; Clement's song, Sittin' on my sofa | 30 |
| Blue mountain eco-adventure | 30 |
| Boosey & Hawkes recorded music for film, radio & television, Firkin fever ; Bushel bump ; Mincin' mamma ... [et al.] | 25 |
| Camp and field duties, ceremonial and marching tunes. For fifes and drums (Civil War period) m & editing: Frederick Fennell | 30 |
| Caribbean dance. m Madeleine Dring, Touch of bronze, Desire | 25 |
| Christ, the Lord is risen today, Allegro, Largo | 30 |
| Church and synagogue affiliation--theory, research, and practice, Summer's day, Beyho | 24 |
| Circus suite. From the Seven Arts Production's film, The Main attraction. m Andrew Adorian, arrangements for accordion: Cecil Bolton | 22 |
| Countryside Safety Harbor, FL, telephone directory, August 1996 | 30 |
| Dementia. By Joe Magistro & Lucas Janklow, Laughing boy, Stranger than fiction | 30 |
| Diamond jubilee. By C. S. Grogan, W. F. Lakey, Otis L. McCoy and others, Shalom and Aloha | 27 |
| Down in the woods. By Tony Kinsey & Nick Spargo, Surfboard, Full pressure | 28 |
| Glen Herrington & Paul Rodriguez compilation 2000, You can't force love, Boyfriend in my mind | 28 |
| Hedgerows and haywains. By Gareth Wood, Tuba mirum, Frost on the roses | 25 |
| Heritage part 4 | 27 |
| How can I love you baby and you not know it, when from the start I have to show it | 30 |
| I'm singing about Jesus, Free fall, Over night | 30 |
| It is all the same, Evolution | 30 |
| Jack DeJohnette, Herbie Hancock, Dave Holland, Pat Metheny in concert, You, I love | 30 |
| Jimmy Olsen's blues ; What time is it? ; Forty of fifty ... [et al.], Kingfisher | 30 |
| Kaleidoscope in blue; for B-flat and bass clarinet quartet | 30 |
| Love has never been this good to me, & 3 other songs, The Winners circle, The Winners | 29 |
| Man of mystery; motion picture. By Hubbell Robinson Productions, Inc, Atomic monkey | 26 |
| Mark Twain: Tom Sawyer. Artist: Bing Crosby with Tommy Reilly et al., sound recording: the Decca Record Company, Ltd | 23 |
| Microjazz for trombone (bass clef), Jazz quartet, Blues for trombone and piano | 30 |
| Moonstrike. From the BBC TV series Moonstrike. m Dudley Simpson, Once upon a summer. By Dudley Simpson | 26 |
| Old friends (will never fade away) ; Highways to hope ; Listen to the wind ... [et al.] | 30 |
| Overture Latin Quarter. Op. 1. m Bryan Kelly, Let it come, At the round earth's imagin'd corners | 30 |
| Patterns and process during the diversification of the cichlid fishes in Lake Malawi, Africa | 25 |
| Penguins on parade (individual stamp design) VA 221-638, March, Delicado | 30 |
| Piano concerto, no. 21, K.467, second movement | 30 |
| Seguidillas murcianas. Para canto y piano. By Maria Carol, pseud. of Mercedes Garcia Lopez | 30 |
| Sing we now of Christmas ; O come, O come Emmanuel ; Ave Maria ... [et al.], I wrote this song | 30 |
| Space shuttle, America's wings to the future, La Journee, Diesel driven--doo-dah-day! | 30 |
| Steve Jackson and Ian Livingstone present The Rings of Kether, Irrigation economics in poor countries | 30 |
| Teddy with honey pot, Royal Stuart, Cameo rose | 30 |
| The Challenge. By Jean Chalopin. (King Arthur and the knights of justice, episode 8) | 30 |
| The Clarinet in the Brazilian 'Choro' with an analysis of the Choro para clarineta e orquestra | 26 |
| The Educational Circus presents Everything I ever needed to know, Great Scott, Lotus bloom | 26 |
| The effects of accountability, responsiveness, and professionalism on bureaucratic discretion | 30 |
| The first American constitutions: republican ideology and the making of the state constitutions in the Revolutionary era | 30 |
| The Ghost at my window, Panther, A Fool's obsession | 30 |
| The Milton Keynes tarantella ; Napoletana ; Sorrentina, A Farewell to arms, Lord Melbourne's mazurka | 27 |
| There's a river in me, Interlude | 30 |
| Thirty-three opening/closing themes, links, bridges, and stings from 14 to 61 seconds | 27 |
| Too turned on (to turn each other down) By Randy Albright & Gary L. Owens, Time to spare | 30 |
| Turn back, O man. Music: Gustav Holst, words: Clifford Box, choral arr. for male voices: Channing Lefebvre part 2 | 30 |
| Tuscany, Umbria & the Marches, Greek islands, Spain | 27 |
| Two bop impressions; a study in progressive jazz on Trevor Duncan themes. For guitar, bass & piano. Music: Monia Liter part 3 | 27 |
| Two individual notes (wood block) By E. Allen, Times remembered, Up-front | 30 |
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