| Motown Record Company, L.P. documents |
| title | Number of documents |
|---|
| A bit of Liverpool, (With The Temptations) T.C.B, Gerald Alston sings Sam Cooke, The best of the spinners | 30 |
| A commentary on African American musical style with an analysis of the influences of African American musical style on the composition "Simple city" (with original composition) | 30 |
| A History of Boston's theatres as seen through its newspapers, periodicals, and its contemporaries | 30 |
| All about your name Katherine, Your love is betta, Savior my savior | 30 |
| All for your love & 4 other titles, Gotta get a grip, Hydra texture collection | 30 |
| A new friend for Kelly. By Lois M. Parker, Lone eagle, Out of your heart. w & m Billy Parker | 30 |
| Anthology | 30 |
| A retrospective study of the perceptions of young men who have been convicted as adolescents of deadly violence against others | 30 |
| Back Pocket Lyrics--Jefferson Starship, Chartbusters!, Super Christmas hits | 27 |
| Being with you is more fun than mooning on the freeway. No. FL-275116. Original design by Nicole Hollander. VA 365-405 part 2 | 30 |
| Black Caesar. Artist: James Brown & the JB's, sound recording: Polydor, Inc, The Boss | 30 |
| Blame it on love & 5 other titles | 30 |
| Bottom line service system, 2004 user's manual in PDF format, Bottom line | 30 |
| Bound for Old Mexico (greatest hits from south of the border) Artist: M. Robbins part 3 | 30 |
| Breakin' up, breakin' down, breakin' out, A Little romance, Darlin', tell me | 23 |
| Broken dreams and broken promises | 30 |
| Busy Judibea, the photographer, Westward run songs, Anonymous praise | 27 |
| B.Y.O.B(Bring your own body) ; I owe you one, Lucky charm pin, Lucky charm | 28 |
| Children in the wind, Insanity, Serpent master | 28 |
| Collection/Spheres of influence, After you, Delilah's scissors | 30 |
| Come get it (come get my love) From the album Swamp Dogg, Come get it, Himself | 30 |
| Dancing on the ceiling (video) Co-writer: Brockman Ent. as employer for hire | 30 |
| Danz (dance) (around) 'round the room, Mercy, mercy me, I love your ways | 29 |
| Developing jazz concepts for saxophone (and other instruments), Three's a crowd, Momentos from the past | 30 |
| Do it to me. Co-composers, Jermaine Dupri & Bryan Michael Paul Cox, Do it to me | 29 |
| Early childhood intervention and juvenile delinquency, Don't take it personal, Two ships | 30 |
| Effect of dichloracetic acid and trichloroacetic acid on cell proliferation in B6C3F1 mice | 30 |
| Endless love & 7 other titles | 30 |
| Fairweather (like brothers) Written by Kenny Dorham, Fairweather, William 4 | 30 |
| Fallin' in love, Romance | 30 |
| Feel so good inside ; (Take me to) New York City, Consider my love, The Witness | 30 |
| Forever like a rose ; So free ; Crazy 4 U ; Joy, Inner child, Inner child meditation | 25 |
| Gavin Patrick Stewart, Renegade, Untamed I | 28 |
| Get ready to rock 'n' roll, Crank it up, Hot city | 22 |
| Give you the world ... I sing this song for you, Open invitation, Say you'll be the one | 30 |
| Good feeling about someone bad. By Ronald B. Tolar, Shel Silverstein, Herbert Henry Meyer | 29 |
| Gotta have you (day by day) By Johnny King, Is this real?, For all it's worth | 30 |
| Greatest hits & 571 other titles. (Part 003 of 003) part 2 | 30 |
| Great Grammy rhythm & blues performances of the 1960's, Commodores, Caught in the act | 30 |
| Great Grammy rhythm & blues performances of the 1960's, One day in your life, It must be magic | 30 |
| Great Grammy rhythm & blues performances of the 1960's, The Big Chill, More songs from the Big Chill | 30 |
| Have twangin' guitar--$1,000,000 worth of, The DeBarges, $1,000,000 worth of twang | 22 |
| Have twangin' guitar & $1,000,000 worth of twang, Girl, I got my eyes on you / Sexy lady | 30 |
| Heroes part 6 | 30 |
| Hony tonks are here to stay, Leave well enough alone, Two Miss Goody Two-Shoes | 28 |
| I can't make you love me, & 1 other song, At the gate, At the gate of Entrudivore | 30 |
| I can't stay long enough, and 1 other song, Ready | 28 |
| I can't tell it, & seven other selections | 30 |
| I don't have to be me ('til Monday) ; You don't know how it feels | 30 |
| I hate to be lonely & 8 other titles, How we'll say goodbye, The view from up here | 29 |
| I'll be there for you, and 1 other selection | 30 |
| Instructor's manual, test bank and data disks to accompany Understanding and using Paradox 3.5 [by] Larry D. Smith | 30 |
| It's a shame you feel this way. Please get better soon, okay? K110408 (1975) part 3 | 30 |
| Just as I am (a collection of work too good to be on a shelf) | 30 |
| Let's get serious. w & m Bob Crewe & Frank C. Slay, Jr | 30 |
| Love is like fire (I just got burned) EU96460 (1969) | 30 |
| Luis Miguel '87--Soy como quiero ser, Le Mans, A.C./[performed by] Andre Cymone | 30 |
| Meet the covers! A tribute to the Beatles, The Best of Chess blues, Swing--the best of the big bands | 30 |
| Midnight magic & 2 other titles | 30 |
| Midnight special ; Why you wanna hurt me?, One man woman, Shoulda known better | 27 |
| Mid-Pleistocene to present stratigraphic responses in a tectonically-driven depositional setting | 30 |
| Missouri superintendents' perceptions of factors influencing the inequitable gender distribution of women in the high school principalship or superintendency | 30 |
| More than one night ; Music box, Special feelings for a friend, Wait for love | 30 |
| Motownphilly ; Under pressure/Please don't go/Lonely heart/Uhh ahh/It's so hard to say goodbye to yesterday [medley] | 30 |
| Natural high & 1 other title part 2 | 30 |
| One step at a time, and other devotions for teachers part 2 | 30 |
| Outstanding farm/estate on 75 acres, 12-room residence designed by Royal Barry Wills, Walpole, New Hampshire | 30 |
| Outstanding nurse researchers and their work, Outstanding | 30 |
| Playground ; One of those days (f**ked up day) ; Go-go dancer ; What's my name?, Playground; piano solo. Grade 1. m Anthony Hedges | 30 |
| Recognized thresholds of negative stress, Fear itself, Later on | 27 |
| Scott Larson submission for copyright, A little romance, The Point | 27 |
| Serenity (happily ever after), Him or me?, Tu | 27 |
| Shadrach, Meshach & Abednego (Is he still good to you?) By M. Dair & N. Martin, Slow love | 30 |
| Slow motion manifolds for a class of evolutionary equations, Slow motion, The Lady with the stars in her eyes | 28 |
| Soul to soul conversations with Jesus, I'm lost in love | 30 |
| Sound of joy, in the midst of woe, I got the feeling, Bunt me | 30 |
| So you can talk collection, What a feelin', Lost in fantasy collection | 30 |
| Take me all the way. Artist: Jamie Kaye, sound recording: Phonogram, Inc | 27 |
| Take me where you want to / Still in love with you | 30 |
| Talk to me part 9 | 30 |
| Tears of my joy, Call me | 30 |
| The annoying ... and/or dangerous safety gadgets, Cold blooded, Keep our love alive | 30 |
| The biology of Toxopneustes roseus in rhodolith beds in Baja California Sur, Mexico part 2 | 30 |
| The Effectiveness of statewide set-aside workshops and small, women-owned and minority-owned businesses and licensed surety agencies and companies | 30 |
| The evolving role of A-II receptor blockers in cardiovascular risk reduction, When you love somebody | 30 |
| The Making of the record. By Dave Marsh. (In Sun City, the struggle for freedom in South Africa by Artists United Against Apartheid) | 30 |
| The Music of Boadell [i.e. Boadle]/Murray, Joe Cool, Nothin' but a party | 22 |
| They're bringing back the good old days of ragtime; song. Words & music: Billy Scott | 22 |
| Time was (events in the elsewhere) Composed by Bootsy Collins, Thanx 4 the funk | 30 |
| To be continued (tomorrow night) w & m Kay Twomey & Dick Manning | 30 |
| Truly yours and various other musical gems, Truly yours, The legend of Lady Levi | 27 |
| Vampire lesbians of Sodom ; and Sleeping Beauty, Commitment, Anything I catch | 30 |
| Whatcha talking 'bout? By Stevie Wonder a.k.a. Stevland Morris, The Woman in red | 30 |
| Where do we go from here?, & 1 other selection | 30 |
| Who am I tryin' to fool? By Edward Monroe Hill, Denver Eugene Moles, John Northrup & Marty Haggard part 2 | 30 |
| Who do I turn to? Co-writers: Tony Haynes & Laney Stewart, So special, Yours night and day | 28 |
| William Hurt--masculinity, the new image, Flesh & blood, Women photograph men | 30 |
| You're the type of guy ; I'm the type of girl ; He was fakin', Motown dance party | 30 |
| Your sweetness (is my weakness) Music by John Barnes 3rd, lyrics by Kymberli Armstrong | 30 |
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