| Remick Music Corporation. documents |
| title | Number of documents |
| Aesop's fables in song. For solo or unison voices with piano and guitar (or autoharp) w & m George Mysels | 30 |
| After you've gone. w & m Henry Creamer & J. Turner Layton, arr. for Dixieland orchestra: Mayfair Music Corporation, employer for hire of Bill Howard part 2 | 29 |
| A Hound, a bay horse, and a turtle-dove; a life of Thoreau for the young reader. By James Playsted Wood, ill.: Douglas Gorsline | 30 |
| Ain't cha coming back, Mary-Ann, to Maryland? & 66 other titles, Big bully, Juwanna Mann | 30 |
| All hail the power of Jesus' name. PA 598-523 | 30 |
| Animals of the field and forest. No. 1703. By Whitman Publishing Company, Mina Lewiton, and Howard Simon | 27 |
| Backgrounds in music theory; a combination textbook and workbook in the rudiments of music with graded coordinated ear training exercises and 150 progressive exercises for melodic dictation. By Maurice C. Whitney | 30 |
| Boo, hoo, hoo! ha, ha, ha! I'm between a laugh and a cry & 25 other titles, While you're away & 1 other title | 30 |
| Cheyenne. Theme from the Warner Brothers T.V. Western Cheyenne. w Stan Jones, m William Lava, arr. for simplified piano solo: M. Witmark & Sons, employer for hire of John Krance | 30 |
| Chinatown, my Chinatown. Accordion arr. Remick Music Corporation, employer for hire of Al Ulin | 30 |
| Come, thou long-expected Jesus. For four part chorus of mixed voices (SATB) with organ or piano acc. m & SATB arr. John Leo Lewis, w Charles Wesley | 30 |
| Concerto gross in G minor "Christmas Concerto" op. 6. no. 8 | 30 |
| Die Fledermaus; libretto for the operetta by Johann Strauss. Libretto by Carl Haffner & Richard Genee, English lyrics by Howard Dietz, appreciation by Jay S. Harrison | 30 |
| Eighteen responses for general use. Four part mixed voices, S.A.T.B. a cappella. m H. R. Evans | 30 |
| Every morning when I wake up (I love to see your face) | 30 |
| Germs and ideas: routes of epidemics and ideologies. By Andre Siegfried, with a pref. by Pasteur Vallery-Radot, translators: Jean Henderson & Mercedes Claraso | 30 |
| Gloria Deo; eight organ works by contemporary composers. Based on tunes from hymnal Cantus populi. Hymn tunes: McLaughlin & Reilly Company, employer for hire of Ronald Arnatt, Nancy Plummer Faxon, George Frederich McKay, et al., compilation: McLaughlin & Reilly Company, employer for hire of Joseph G. Phillips & Paul J. Hotin | 30 |
| Golden Gate Bridge, Highway and Transportation District logo designs, Golden Gate | 30 |
| Gone with the wind and its author, Margaret Mitchell; booklet to commemorate the twenty-fifth anniversary of the publication of Gone with the wind. By the Macmillan Company | 30 |
| Good news (hold 'em Helen) Book by Lawrence Schaub & B. G. DeSylva, pseud. of George Gard DeSylva, lyrics by B. G. DeSylva, pseud. of George Gard DeSylva & Lew Brown, music by Ray Henderson | 30 |
| Ha! ha! ha! (chella lla) m S. Taccani, Italian w U. Bertini, English w & arr. for piano: Leeds Music Corporation, Dick Manning & Al Hoffman | 30 |
| Harry Reser's Let's play the banjo; a method & collection, learn by playing & singing the ever popular songs you know. w & m Remick Music Corporation, employer for hire of Harry Reser | 30 |
| Have you got love to go with that? & 5 other titles, This is magic. Words & music: Eddie DeLange & Lew Quadling | 30 |
| Hickory dickory dock (bonk) Composed by Earl Kress & Steve Bernstein | 30 |
| Hi-ho the merrio (as long as she loves me) & 13 other titles, Forever and ever with you | 30 |
| House of flowers; vocal selections from the off-Broadway musical. w, m, arr. Harold Arlen, w Truman Capote, compilation: Sol Reiner | 30 |
| If tears could bring you back to me. Words & music: Marcus Seiler, pseud. of Eddie Seiler & Sol Marcus, & Feller Michaels, pseud. of Sherman Feller & Harry Michaels | 30 |
| I love a parade. Made easy for the accordion. Words: Ted Koehler, music: Harold Arlen, accordion arr. Harms, Inc., employer for hire of Frank Gaviani | 30 |
| I love a parade. Made easy for the accordion. Words: Ted Koehler, music: Harold Arlen, accordion arr. Harms, Inc., employer for hire of Frank Gaviani part 2 | 30 |
| I'm looking over a four leaf clover. SATB. w Mort Dixon, m Harry Woods, arr. Remick Music Corporation, employer for hire of Jimmy Carroll, piano transcription: Remick Music Corporation, employer for hire of Ernest Carnicelli part 2 | 30 |
| I'm looking over a four leaf clover. SA. w Mort Dixon, m Harry Woods, SA arr. Remick Music Corporation, employer for hire of Jimmy Carroll, piano transcription: Remick Music Corporation, employer for hire of Ernest Carnicelli | 30 |
| I'm looking over a four leaf clover. SA. w Mort Dixon, m Harry Woods, SA arr. Remick Music Corporation, employer for hire of Jimmy Carroll, piano transcription: Remick Music Corporation, employer for hire of Ernest Carnicelli part 2 | 30 |
| Introduction to college life; a book of readings. Instructor's guide. By Norman T. Bell, Richard W. Burkhardt, Victor B. Lawhead | 30 |
| I will lift up mine eyes. For 3-part chorus of mixed voices (SAB) a cappella. w Psalm 121, m setting: Royal Stanton | 25 |
| Katerina's aria. From Katerina Izmailova (Lady Macbeth of Mtsensk) For voice & piano. w John Klein & Wladimir Lakond, m Dmitri Shostakovich | 30 |
| Let's play the harmonica; a method & collection. w & m, compiled and arr. by Jerry Sears, instructions for playing the harmonica: Remick Music Corporation, employer for hire of Jerry Sears | 30 |
| Let there be peace. Four part mixed voices, S.A.T.B. w Mark D. Goodman, m Lillian Rosedale Goodman & Anton Bilotti, arr. Remick Music Corporation, employer for hire of Douglas MacLean | 30 |
| Light of the world is love & 60 other titles, Heads I win (tails you lose) | 29 |
| Local 403 (the socially-conscious civic minded Iron Workers, Union Local Four-Oh-Three) w Sammy Cahn, m James VanHeusen | 30 |
| Lord, most holy. w anon., m & adaptation of text: Katherine K. Davis, arr. for three part women's voices (S.S.A.): Remick Music Corporation, employer for hire of Katherine K. Davis | 30 |
| Love is a many-splendored thing. From Love is a many-splendored thing. By Jim Baker & 20th Century Music Corporation (arr.), 20th Century Music Corporation, employer for hire of Sammy Fain (music) & Paul Francis Webster (words) part 2 | 30 |
| Me, myself and I (are all in love with you) By Alvin S. Kaufman, Irving Gordon & Allan Roberts part 3 | 30 |
| Moonlight tango. Composer of music and Spanish lyrics: Humberto Herrara, author of French lyrics: Louis Poterat, English lyrics: Lou Herscher (Louis Herscher) | 30 |
| More, more, more of your love. I stand rejected. Artist: Bob Brady, sound recording: A&M Records, Inc | 30 |
| Myron Floren enjoying the accordion. Book 1. m & arr. Myron Floren, comp. & ed.: Maddalena Belfiore, m Remick Music Corporation, employer for hire of Al Ulin | 30 |
| Myron Floren enjoying the accordion. Book 1. m & arr. Myron Floren, comp. & ed.: Maddalena Belfiore, m Remick Music Corporation, employer for hire of Al Ulin part 2 | 30 |
| Negro bell carol. For a cappella chorus of mixed voices with soprano or tenor solo. Music & adaptation of words by Willis Laurence James | 30 |
| Night journey of the wise men. w & m Haydn Morgan, arr. for four part mixed voices (SATB): Remick Music Corporation, employer for hire of Haydn Morgan | 30 |
| O Lord most holy; general. For three-part chorus of mixed voices with soprano or tenor solo & piano or organ. By Cesar Franck, arr. Carl F. Mueller | 26 |
| Our silver anniversary. w & m Haven Gillespie & Larry Shay, arr. Leo Feist, Inc., employer for hire | 30 |
| Painting the clouds with sunshine. Music by Joe A. Burke (Joseph A. Burke), words by Al Dubin, new arr. for piano acc.: M. Witmark & Sons, employer for hire of Helmy Kresa | 30 |
| Play together pieces. Favorite melodies in easy to play arrangements for solo, duet, trio or ensemble, B-flat, E-flat, C (treble, of C (bass) instruments in any combination with piano acc. Arr. Remick Music Corporation, employer for hire of Hugh Conrad, pseud. of William Schoenfeld | 25 |
| Please don't talk about me when I'm gone. w & m Sidney Clare, Sam H. Stept & Bee Palmer, band arr. Remick Music Corporation, employer for hire of Art Dedrick | 30 |
| Remick combo dance-orks for small dance bands, E-flat book. Alto sax, baritone sax, mellophone, trombone (B.C.), bassoon, cello. Arrangements & compilation: Remick Music Corporation, employer for hire | 30 |
| Rise up, O men of God; choral for mixed voices (SATB) with piano acc. Arr. David Foltz & Margaret Shelley, words: William Merrill, music: William H. Walter | 30 |
| Roller derby. m Myron Floren, arr. for piano solo: Remick Music Corporation, employer for hire of Dougals [i.e. Douglas] MacLean, pseud. of Frank Campbell-Watson | 30 |
| Romance part 5 | 30 |
| Salute to America. Band acc. for four part mixed voices S.A.T.B. Text of The American creed: William Tyler Page, music & adaptation of text with additional lyrics: Glad Robinson Youse, arr. for band acc.: Remick Music Corporation, employer for hire of William C. Schoenfeld | 30 |
| Selections from "How to succeed in business without really trying." SATB & piano arr.: Frank Loesser, employer for hire of Dick Thompson | 30 |
| Shall we say farewell? From The Happiest girl in the world. w E. Y. Harburg, m Jacques Offenbach, complete piano part & additional arr.: Robert DeCormier & Jay Gorney | 30 |
| Shall we say farewell? From The Happiest girl in the world. w E. Y. Harburg, m Jacques Offenbach, complete piano part & additional arr.: Robert DeCormier & Jay Gorney part 2 | 30 |
| Sing a song of sixpence. Four part mixed voices, S.A.T.B., a cappella. Arr. H. R. Evans | 29 |
| Sleep, Thou blessed Child; traditional Bohemian melody. SATB with piano or a cappella. Musical arr. of traditional melody with original words: Philip Gordon | 30 |
| Soldiers of the cross. This little light of mine. Adaptation, arr. & new words: Bonnie Bramlett (a.k.a. Bonnie Lynn Sheridan) | 29 |
| Some little bug is going to find you. Music by Silvio Hein, words by Roy Atwell & Benjamin Hapgood Burt, arr. for four male voices: Harms, Inc., employer for hire of Len Field | 30 |
| Sonata for trumpet in C or B flat) and piano. By Henry Purcell, editing & arr. by International Music Company, employer for hire of Roger Voisin (editing) and Karl Heinz Fuessl (editing) | 30 |
| Songs of the Bible. w Paul Francis Webster, m Dino DeLaurentiis Cinematografica, SPA, employer for hire of Toshiro Mayuzumi | 30 |
| Spooky the ghost (he's the most!) w & m David N. Davenport, arr. for four part mixed voices (S.A.T.B.) with ghost solo: Remick Music Corporation, employer for hire of David N. Davenport part 2 | 30 |
| Suffer and stay ; Fallin' down on my face with the blues ; Wood rat, Ride me, You've got love in your eyes | 25 |
| Tea for two. w Irving Caesar, m Vincent Youmans, arr. for Spanish guitar: Harms, Inc., as employer for hire of Roy Smeck and Harry Reser | 30 |
| Tell me I'm wrong & 1 other title | 30 |
| Thanks to you. English lyrics Patti Jacob, m Bobby Capo, pseud. of Felix Rodriguez | 30 |
| That spotted nag; piano solo toy tunes, three pieces for the piano student. Music: John F. Carre | 30 |
| The Children sang their praises; anthem for Palm Sunday. For mixed voices S.A.T.B. with unison treble choir or soprano solo and organ acc. Choral arr. with original music by Don Malin, w Jennette Threlfall part 2 | 30 |
| The Importance of being Earnest, Beowulf, Life of Frederick Douglass | 30 |
| The Memphis blues. From W. C. Handy's World famous blues for Hammond organ. w J. Russell Robinson (J. Russel Robinson), m William Christopher Handy, arr. for electronic organ: Handy Brothers Music Company, Inc., employer for hire of Albert DeVito | 30 |
| The Memphis blues. From W. C. Handy's World famous blues for Hammond organ. w J. Russell Robinson (J. Russel Robinson), m William Christopher Handy, arr. for electronic organ: Handy Brothers Music Company, Inc., employer for hire of Albert DeVito part 2 | 30 |
| Then shall the righteous shine forth. From Elijah. For chorus of mixed voices with piano or organ. By Felix Mendelssohn-Bartholdy, arr. Richard Dickinson, pseud. of Walter Ehret & Joyce Barthelson | 30 |
| The Persistent pigtail. Poem: William M. Thackeray [i.e. William Makepeace Thackeray], music by Anthony Donato | 25 |
| The Roller skating song. w & m Jessie Fisher, arr. for two part treble voices (S.A.): Remick Music Corporation, employer for hire of Jessie Fisher | 30 |
| The Sleeping beauty. Three-part women's voices, S.S.A. w Samuel Rogers, m Joseph A. Trongone | 30 |
| The Still, small voice; an anthem for general use. Four part mixed voices, S.A.T.B. w & m A. P. VanIderstine | 30 |
| The Toy trumpet. m Raymond Scott, pseud. of Harry Warnow, w Lew Pollack & Sidney D. Mitchell, arr. for 2-part treble voices, S.A.: Advanced Music Corporation, employer for hire of Honora Klarmann | 30 |
| Tomorrow for sure. Words by Buddy Bernier, music by Moose Charlap, arr. for solo voice with piano acc.: Shawnee Press, Inc., employer for hire of Hawley Ades | 30 |
| True love is greater than friendship. From the motion picture Little Fauss & Big Halsy. w & m Paramount Pictures Corporation, employer for hire of Carl Perkins, new piano arr. George Terry | 30 |
| Two little birds; or, What do you know of love? w Charles Hanson Towne, arr. for three part mixed voices (S.A.B.): Remick Music Corporation, employer for hire of Arthur Bergh | 30 |
| Welcome, Gay Kolyada; Russian carol. Setting for SATB voices with handbells & translation of text. Arr.: Mary E. Caldwell | 30 |
| When your hair has turned to silver, I will love you just the same & 1 other title | 25 |
| White evening. Choral for mixed voices SATB with piano acc. Words: Grace Nowell Crowell, music: Margaret Shelley & editing: David Foltz | 30 |
| Yassu; wedding song. From the Columbia film, The Guns of Navarone. w, m & arr. Highroad Productions, Inc., employer for hire of Dimitri Tiomkin & Ned Washington | 30 |
| You never know (when the world's gonna e ...) Written by Gallon & Sinks part 2 | 30 |
| Your heart and mine. Words: Johnny Mercer, music: Rube Bloom, arr. Robbins Music Corporation, employer for hire of John Lane, pseud. of Joe Levin | 30 |
| You were too willing to teach me (and I was too willing to learn) w & m Bob Hilliard, Dick Sanford & Sammy Mysels | 30 |
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