| Universal Edition (London) Ltd. documents |
| title | Number of documents |
|---|
| Actions for six & 55 other titles, Memo 2(c) obbligato, Memo 2(b) | 30 |
| A literature guide by Jon C. Stott and Andrew T. Stott to The Hobbit, by J. R. R. Tolkien part 2 | 30 |
| Andalusiana; Arien und Intermezzi nach Gedichten von Federico Garcia Lorca, Deutsche Nachdichtung von Enrique Beck. m Hermann Reutter part 2 | 29 |
| Answers to the 50 most important questions about private mental health practice, In transit | 30 |
| A Second set of pieces from Shakespeare's plays, To prove my love is true, A Renaissance garland | 30 |
| As from the earth a flower grows. SSA, TTB or SSATTB, a cappella. By Claudio Monteverdi, Roger Maren & Herbert Zipper. (The Arthur Jordan choral series) | 30 |
| Cease your bitter weeping. SSC. By Andrew Horvath DeSzkharosi, Zoltan Kodaly, Matyas Seiber & Nancy Bush | 30 |
| Christmas carols arranged for brass, woodwinds & choir | 30 |
| Christmas decorations--snowpeople carolers, Santa & 2 snowmen | 22 |
| Collected shorter piano pieces, All. fall. down, Jazz | 26 |
| Damn everything but the circus!; the writings of E. E. Cummings adapted for the stage. By Robert Suares | 30 |
| Dick Whittington and his amazing cat, Eggosaurus box!, Hannibal, the cannibal | 26 |
| Duo pour clarinette si-bemol et cor de basset ou 2 clarinettes si-bemol, Quintette en ut mineur, K. 406 | 30 |
| Four pieces for young pianists, Americana, Sonatina semplice | 30 |
| French baroque pieces = Franzoesische Barockstuecke, Concerto for flute and chamber orchestra | 30 |
| Heterogeneous catalytic studies with rhenium cluster-based precursors, Beyond all fear | 29 |
| Hodograph 1. For flute, piano, celeste, orchestra, bells, vibraphone & marimba. m Earle Brown | 29 |
| How to eat like a child and other lessons in not being a grown-up, Nastina, the beauty queen | 30 |
| HRW reading, reading today and tomorrow, signposts, Seascapes, Signposts | 30 |
| I'm happy just to dance with you, Good night, I've just seen a face | 30 |
| It'll be different the next time, Father, The Seasons = Les Saisons, The Seasons | 30 |
| It was midnight. For SSA (or SSS), soprano and alto metallophones and maracas. m Bernard Rands | 27 |
| Kindly leave the stage; a play in two acts. By John Chapman, Key for two, Keeping down with the Joneses | 27 |
| Mel Bay presents Solo pieces for the intermediate flutist (with piano acc.), Carmen | 30 |
| Menus propos enfantins & 6 other titles; musical arrangements, Satie for the guitar | 29 |
| Microjazz for trombone (bass clef), Paddy boy, Bessie Smith, secret hero | 30 |
| One last Saturday night ; Zapruder blues ; Everything (but money) ; Traveling heavy | 30 |
| On first looking into Chapman's Homer, An angel's love, Mommie's angel | 30 |
| Peak experiences with cetaceans, Rhetorics of whiteness, Multi-mix music | 27 |
| Quartet for flute, oboe, & harpsichord (or piano), Alexandria suite, Elegy and divertimento | 30 |
| Satan, take your hands off me!, Poetry in motion, Let it go | 30 |
| Sonata in D minor for violoncello and piano (harpsichord) Op. 5, no. 2. By Francesco Geminiani, editing: Frank Merrick, phrasing: Ivor Benjamin James | 28 |
| Sonate fuer Blockfloete (Floete, Oboe, Violine) und Basso continuo, f-moll = Sonata for recorder (flute, oboe, violin) and basso continuo, F minor part 2 | 30 |
| Star clusters, nebulae and places in Devon. By David Bedford, Pulsating piano concerto | 28 |
| The four sections ; Music for mallet instruments, voices and organ, I hear tell, Life goes on | 30 |
| The Music people favourite classics, The Market song, The Sleepy mandarin | 30 |
| The Notebooks of Samuel Taylor Coleridge. Vol. 2, 1804-1808, text, v. 2, 1804-1808, notes. By Bollingen Foundation, Inc., employer for hire of editor: Kathleen Coburn part 2 | 30 |
| The Valley-sleeper, the children, the snakes, and the giant, Some stars above magnitude 2.9 | 30 |
| The water-babies; a musical in two acts. Stage adaptation by Suzanne Savoy; music by Len Rhodes | 30 |
| Tunes for fun; sixty favourite melodies for treble recorder (with guitar, auto-harp, or tuned percussion) Arr. & editing Geoffrey Russell-Smith | 30 |
| Verses for ensembles. Nenia, the death of Orpheus. The matrix. The fields of sorrow. By Harrison Birtwistle, artist: David Atherton with the London Sinfonietta & others, sound recording by the Decca Record Company, Ltd | 29 |
| You might be wrong (but it's alright), Mix 'n' match, More mix 'n' match | 25 |
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