| Belwin-Mills Publishing Corporation. documents |
| title | Number of documents |
|---|
| 15 humorous piano pieces. Arrangements for piano solo: Eric Steiner | 30 |
| Accordion music in the home. Arr. of music for the accordion: Elsie M. Bennett | 29 |
| Agnus Dei. For four-part chorus of mixed voices with organ acc. Music: Stanley Hollier, pseud. of Stanley Hollingsworth | 30 |
| A Hymn of the Nativity. Soprano and bass soli, mixed chorus & orch), piano-vocal: Lee Hoiby, text after Richard Crashaw | 26 |
| Alice in Wonderland and Through the looking glass part 4 | 30 |
| A Review of the uses, chemistry, and health effects of chlorine dioxide and the chlorite ion | 30 |
| Avalon. TTBB. w Al Jolson & Bud DeSylva, m Vincent Rose, TTBB arr. Remick Music Corporation, employer for hire of Jimmy Carroll, piano transcription: Remick Music Corporation, employer for hire of Ernest Carnicelli | 30 |
| Back in your arms & 53 other titles part 2 | 29 |
| Better days are yet to come & 2 other titles, Better days part 5 | 30 |
| Busy fingers (instr.) Written by Garland & Jackson, Hamilton County breakdown, Grey eagle | 30 |
| By my side & 3 other titles; notice of termination of grant under 17 U.S.C. sec. 304; date & manner of service of the notice of termination: 4Jan78, by first class mail (re Harry Link, deceased) | 30 |
| Call me irresponsible. By Paramount Pictures Corporation, employer for hire of Sammy Kahn (words) & James VanHeusen (music), & Famous Chappell Ltd., Corporation, employer for hire of Jimmy Lally (arr.) | 30 |
| Canyon passage overture & 1 other title, The Secret Annie Oakley, A Documentary history of the United States | 30 |
| Canzona. For soprano or tenor recorder (or any treble instrument) & basso continuo. By Girolamo Frescobaldi, editorial work & realization: Colin Sterne | 30 |
| Come Saturday morning. From the motion picture The sterile cuckoo. Paramount Pictures Corporation, employer for hire of Fred Karlin (m) & Dory Previn (w), 5-part interchangeable chorus SA, SAB, SSA arr. by Hansen Publications, Inc., employer for hire of Arnold Freed part 2 | 30 |
| Communication skills and classroom success: therapy methodologies for language learning disabled students part 2 | 30 |
| Composite of music dynamics, A & 3 other titles, It's nice to be nice, Pedal and keyboard (Wurlitzer) & 5 other titles | 30 |
| Concerto in A minor. No. 2. For bassoon and piano. By Vivaldi, editing & piano reduction: International Music Company, employer for hire of Leonard Sharrow (editing) & Karl Heinz Fuessl (piano reduction) part 2 | 30 |
| Dance in the moonlight. Arr. for S.S.A.A. & original text written by Gena Branscombe | 30 |
| Danse africaine. For mixed chorus, soprano solo with piano, tambourine, triangle & two drums, tom-toms preferable. Poem by Langston Hughes, m John W. Work part 2 | 30 |
| Developing pre-number ideas. By James S. Lucas & Evelyn Neufeld, Such a place, Heavenbound | 25 |
| Divertimento on themes by Gluck & 3 other titles | 30 |
| Don't worry 'bout the mule (just load the wagon) By Glenn Barber, Don't worry part 4 | 30 |
| Drum trip. By Mike Glabicki, Jim Donovan, Jenn Wertz, Liz Berlin, Jim DiSpirito, John Buynak & Patrick Norman | 30 |
| Easy does it; a farce-comedy. Additions & revisions by Jack Perry & Laurence Feldman part 2 | 30 |
| Eusebius revisited (remembrances of Schumann) Cello and piano, The Rite of spring | 30 |
| Everybody loves my baby (but my baby don't love nobody but me) w & m Jack Palmer & Spencer Williams, arr. for young stage band: Glenn Osser | 30 |
| Folk melodies for the accordion & 1 other title, Melody written for Les Deux aveugles | 30 |
| For the last time (I cried over you) By Jack Palmer, Cab Calloway & Frank Froeba part 2 | 30 |
| Get close to you. w & m Mark Edward Murphy,1960-, Michael Cornett, 1949, Take your shot | 30 |
| I don't care who knows it & 2 other titles | 30 |
| I'ma Mountie who never got his man. From Rose Marie. Words: Herbert Baker, words & music: George Stoll | 27 |
| Jesus, Thou joy of loving hearts; hymn anthem. S.A.T.B. Music: Frederic Fay Swift, words: Ray Palmer | 25 |
| Just a girl I used to know. By Michael Sembello, Danny Sembello, Bruce Gaitsch, Just a girl | 29 |
| Lament for April 15. For 5-part chorus of mixed voices, a cappella (SSATB) Music and adaptation: Avery Claflin, adaptation of text taken from United States of America income tax instruction sheet by composer | 30 |
| Latin American music in contemporary reference sources: a study session | 30 |
| Les Bravados. English w & m Gene Forrell, Henry Onorati, James Polack & Edward Thomas, Robbins Music Corporation, employer for hire of Raymond Mamoudy (French w) & new piano arr | 30 |
| Lies my father told me. By Pentimento Production, Ltd. & Pentacle VIII Productions, Ltd | 30 |
| Lord Christ, son of God. For four-part chorus of mixed voices, a cappella. Music by Orlando DeLasso [i.e. Orlando DiLasso], editing & English translation by G. Schirmer, Inc., employer for hire of Roy Harris (editing) & Erminie Huntress (English translation) | 27 |
| Man's life is well compared to a feast. For mixed voices, SATB. w Richard Barnfield, m Jean Berger, editing of words: Summy-Birchard Co., employer for hire | 30 |
| Modern styles and harmonic construction for popular piano playing, The Three trumpeteers & 162 other titles; songs | 30 |
| My Christmas story. w & m Lee David, arr. for ukulele: Vernon Music Corporation, employer for hire of Ben Kendall | 30 |
| My head and my heart. w Horace Linsley, pseud. of Horace Linsky, & Lou Wagner (Louis Henry Wagner), m Bill Eisenhauer (William George Eisenhauer) | 30 |
| Neighbor's chorus. From the comic opera La Jolie parfumeuse. For SATB chorus with piano acc. By Jacques Offenbach & Broude Brothers (of which Broude Brothers, Ltd. is the legal successor), employer for hire of Jan Meyerowitz (editorial revisions) & Peter John Stephens (English text) | 30 |
| Offenbach: Cancan from Orpheus in the underworld. From Class brass--on the edge: orchestral favorites transcribed for brass | 30 |
| Oh, you beautiful doll. Words by A. Seymour Brown, music by Nat D. Ayer, arr. for S.A.T.B.: Remick Music Corporation, employer for hire of Clay Warnick | 26 |
| Piano trio in one movement (caprice, song, and finale), And my God, Christmas canopy | 30 |
| Pretty little things called girls. By David Clowney & John Howard, Waiting for Dad | 30 |
| Rain and shine. No. 2952. By Whitman Publishing Company, employer for hire of Isabelle Groetzinger & Ruth MacPherson (ill.) | 30 |
| Return (to the one who loves you) & 25 other titles, The Dream & 3 other titles; musical composition | 30 |
| She's got you. The lady that lived here before. Performed by Loretta Lynn; sound recording by MCA Records, Inc | 30 |
| Sonata for violin and piano, no. 2, op. 94bis Additional title: Sonate pour violin et piano, no. 2 part 2 | 30 |
| Songs of innocence and of experience, Laid back in New York, Wond'rin' what she sees in me | 30 |
| Symphony number 3 in C minor: op. 78 (Organ) By Camille Saint Saens, Boston Symphony Orchestra, Charles Munch, conductor, Berj Zamkochian, organist | 30 |
| Taxonomy of educational objectives; the classification of educational goals. Handbk. 2: affective domain. By David R. Kratwohl, Benjamin S. Bloom & Bertram B. Masia | 29 |
| The Angelus & 1 other title, The Angelus, My little Rose Marie | 30 |
| The Brooklet & 38 other titles, The Alder tree, The Tryst | 29 |
| The Cherubim collection. Arr. for junior choir (unison or two-part) and compilation: Floyd O. Harris | 30 |
| The Great operas of Mozart; complete librettos in the original language. English version by Wystan Hugh Auden & Chester Kallman, Ruth Martin, Thomas Martin and John Bloch, essays on W. A. Mozart and each opera by Nathan Broder | 30 |
| The Language of love & 1 other title | 30 |
| The Lord reigneth. For chorus. m Gamut Company, made for hire by James C. McKinney | 30 |
| The New England fishing industry; a study in price and wage setting. By Donald Joseph White | 25 |
| The old maid's song; traditional folk song. Adapted for solo voice, recorder and guitar by Julie Felix & Harry Robinson | 30 |
| The Wang wang blues; B flat trumpet solo with piano acc. w & m Leo Wood, Gus Mueller, Buster Johnson & Henry Busse, Leo Feist, Inc., employer for hire of Henry Levine (arr.) & John Lane (pseud. of Joe Levin) (editing) | 30 |
| Things are looking up | 30 |
| Thoroughly modern Mildred & 3 other titles; episodes from the television show, 13 Queen's Boulevard | 30 |
| Three plays about victims; a collection of three full length plays with a commentary on victims | 30 |
| Tune time; piano book. Part B. Selector & correlator: Frances Clark, editor: Louise Goss, m reviser: John LaMontaine | 30 |
| Wait till the sun shines, Nellie, blues. Music by Harry VonTilzer, words by Andrew B. Sterling, patter & words: George Jessel, quartet arr. Bud Arberg | 30 |
| Willie, Willie, will ya? By James Cavanaugh, Larry Stock & Vincent Rose, additional lyrics in verse: Edward B. Marks Music Company, employer for hire of Walt Solek | 29 |
| You know who you are / Falling in love--Hodges, James & Smith part 2 | 30 |
| You take the blame for the roses (and I'll take the blame for the wine) w & m Charles Williams, Steve Stone | 30 |
This website is not affiliated with document authors or copyright owners. This page is provided for informational purposes only. Unintentional errors are possible. Multiple persons can share the same name.
