| Bourne Company. documents |
| title | Number of documents |
|---|
| After thoughts. m Teddi Castion a.k.a. Theodora Castion Taylor | 27 |
| Aida. By Giuseppe Verdi, arr., English libretto & added text: Summy-Birchard Company, employer for hire of Harriet Nordholm & Leland Forsblad | 30 |
| Ain't it a cryin' shame. Words & music: Myron L. Earnhart a.k.a. Ernie Hart, Joe Parker (Joseph Andrew Parker) & Roy B. Ward | 30 |
| All of me part 4 | 30 |
| A Tune a day for trombone or baritone. Book 2. Arrangements for trombone or baritone horn, instructional text & practice exercises: Clarence Paul Herfurth & Herbert A. Mattick | 27 |
| Ave Maria part 7 | 30 |
| Be not afraid; sacred solo for voice & piano. m Frederick Koch, setting for voice & piano & text adaptation: Denice R. Koch | 30 |
| Be still and know & 2 other titles part 2 | 27 |
| Brotherhood of man. From the Broadway production, How to succeed in business without really trying. w & m Frank Loesser, dance orchesration: Frank Loesser, employer for hire of Johnny Warrington part 2 | 30 |
| Buck Elementary method for French horn or E-flat alto or mellophone. Musical method for French horn or E-flat alto or mellophone: Forrest Lawrence Buchtel a.k.a. Lawrence Buck | 30 |
| Can you? w & m Bernie Baum, Florence Kaye & James Goldsborough, arr. for voice and piano with guitar symbols: Leeds Music Corporation | 30 |
| Christ is born. For SATB, a cappella. Arr. Marion Vree, editing: Genevieve Rorke | 30 |
| Cotton pickin', chicken pluckin', sheep shearin', shiftied eyed mind | 30 |
| Der Schumacher und das nutze Kobold = The shoemaker and the elfs [sic], The broken hearts academy | 30 |
| Dilly dally day. Piano instrumentation. Words & music: Homer Edwin Wassam, Dilly dally | 29 |
| Don Giovanni; opera in two acts. m Wolfgang Amadeus Mozart, libretto by Lorenze DePonte, English text version by Wystan Hugh Auden and Chester Kallman | 28 |
| Electrolytic manufacture of thiosulfate-free solutions of sodium hydrosulfite from aqueous sodium bisulfite | 30 |
| First steps to employability: your talents at work, First steps | 28 |
| For God so loved the world, that He gave his only begotten son, that whosoever believeth in him should not perish, but have everlasting life: John 3:16 part 3 | 30 |
| George Curry, 1861-1947, an autobiography. By H. B. Hening, Songs by Dr. Sam Smith VII | 28 |
| Glory to God (arrangement of P.D. song) Co-writers: J. Jackson & R. Sadin | 30 |
| Good morning, Lord & 17 other titles part 2 | 30 |
| Helen and Mary & 21 other titles; rounds, canons & catches sung in early America | 27 |
| Here's that rainy day & 10 other titles, Silent movie card (8) By Mark Holden | 30 |
| How excellent your name? By Peter Jacobs | 30 |
| I'm gonna sing/sing n celebrate for kids | 30 |
| I never walk alone aka I'll never walk alone, Ave Maria, Workin' out | 30 |
| I promise to love, honor and oh! baby! By A. Wrubel & H. Magidson, And so goodbye, my love | 30 |
| I try to hide inside myself, A Cry for courage, Only love remains | 30 |
| It's a hap-hap-happy day. Paramount Pictures Corporation, employer for hire of Al J. Neiburg (w), & Sammy Timberg, Winston Sharples (m), new piano arr. Famous Music Corporation, employer for hire of George Terry part 2 | 30 |
| It's time for singing. Three-part chorus of female voices, a cappella. Arr. Raymond Rhea & Lois Rhea (Lois Rhea Land) | 30 |
| I will lift up mine eyes; psalm 121. Musical setting Malcolm Williamson | 30 |
| Jingle bells/We wish you a merry Christmas (arr.) Composed by Steven V. Taylor | 30 |
| Jingle bells/We wish you a merry Christmas part 3 | 30 |
| [Kaleidoscope consisting of a carved wooden tube upon which is mounted one or more wheels of stained glass, which are center mounted on the end of the tube] part 2 | 30 |
| Keep on doin' what you're doin' & 4 other titles | 30 |
| La Paloma azul. For mixed chorus and small orchestra. m Carlos Chavez, English translation by John Andrews, traduction francaise par Andre DeBadet, Deutsche Ubertragung von Ernst Roth | 30 |
| Let's fall in love with the songs of H. Arlen & C. Coleman | 30 |
| Let the fiddle play. w & m Jimmy Eaton, Harold Fuguay & Mario Cajati, My love will always be the same | 30 |
| Lift up your eyes; the religious writings of Count Leo Nikolayevich Tolstoy. Introd. by Stanley R. Hopper | 27 |
| Livin' on borrowed time. w & m Larry Reeves (Richard P. Scher), Reborn, I gotta be there | 25 |
| Lost horizon. w Ross Hunter Productions, Inc. employer for hire of Hal David, m Ross Hunter Productions, Inc., employer for hire of Burt Bacharach | 30 |
| Love letters in the sand & 1 other title; notification (under 17 USC 508) of filing (docket no. CV 78-1296 LTL (SX) filed 4Apr78 in U. S. District Court for Central District of California) part 4 | 30 |
| Maitechu mia; zortzico. Canto y piano. m Francisco Alonso Lopez, w Emilio Gonzalez DelCastillo | 30 |
| Man of Galilee. w LeRoy Stark, pseud. of George S. Schuler, m George S. Schuler | 30 |
| Merry Christmas, little mouse: a scratch-the-scent and lift-the-flap book part 5 | 30 |
| Mickey Mouse's picture house. Words and music: Walt Disney Productions as employer for hire of Lenny Adelson & Imogen Carpenter | 30 |
| Music for a liturgical communion service, Share the joy, Give us your blessing | 27 |
| My daily prayer. Choral arr., S.A.T.B. Words by Gordon V. Thompson, music by Edward W. Miller | 27 |
| My life is like a weaving; four part S.A.T.B. w author unknown, m Dorothy Dawson Lowell, arr. Robbins Music Corporation, employer for hire of Harry Robert Wilson | 30 |
| My number one doll-baby. w & m Fred Patrick (Fred Patmek), Arthur Richardson & Elmer Willett | 30 |
| Nantucket | 23 |
| Ode for Saint Cecilia's Day, 1692. By H. Purcell [i.e. Henry Purcell], editing with piano reduction and realisation of figured bass & pref. by Michael Kemp Tippett & George Walter Bergmann, German translation by Beate Ruhm VonOppen | 30 |
| Ooh Ernest, are you ernest with me? By Cliff Friend & Sidney Clare, Adorable Dora & 41 other titles; musical compositons | 30 |
| Patty, Greg, and Andy songs, Wasted time, You can't keep me away | 30 |
| Po' mo'ner got a home at las'; Negro spiritual. For voice and piano. Arr. Hall Johnson | 25 |
| Relating individual and collective teacher efficacy beliefs with urban fourth-grade students' reading and mathematics performance | 30 |
| Saint Saens: Symphony number 3 in C minor, opus 78 (organ) Performed by the Philadelphia Orchestra, Eugene Ormandy, conductor, Virgil Fox, organist part 2 | 30 |
| Santa Claus is comin' (in a boo ...) By Steve Ripley & Walt Richmond, Santa Claus | 30 |
| Science fiction theatre; TV motion picture. No. 1077. By Ziv Television Programs, Inc part 2 | 30 |
| She's a gypsy from Brooklyn. From the Columbia picture, Eadie was a lady. Words: Louis Wolfe Gilbert, music: Ben Oakland | 30 |
| Smiles to make and color. No. 251125. Covers by Jack Welch, body drawings by Frank Kenniston & Betty Jones | 29 |
| Soon you gonna leave me, Joe, A Long time ago, Rosabella | 26 |
| Suite number 2 from the ballet "Romeo and Juliet." Op. 64, Complete study guide, Romeo and Juliet | 30 |
| Take me with you thank your lucky stars | 30 |
| The Compact history of the United States Marine Corps. By Philip N. Pierce, Frank O. Hough, illustrator: Gil Walker | 30 |
| "Thee undoubtedly severely communicatively, disturbed, gigacephlathrillogy" collection | 26 |
| The Hunter and the hunted; motion picture. By Calliope Productions, The Annabelle case | 27 |
| The Living desert. From The Living desert. Music by Walt Disney Productions, employer for hire of Paul Smith, w Lenny Adelson | 30 |
| The Westminster waltz. m Robert Farnon, arr. for concert band by Chappell & Company, Ltd., employer for hire of Eric Osterling | 30 |
| They can't shake my faith in you. w & m Mack Discant & Doris Tauber, Them there eyes. Stage band arr. Dave Stevens | 30 |
| Throw Momma from the train & 2 other titles, Myself to myself & 15 other titles, Walking on sunshine & 1 other title | 25 |
| Valentine of long ago. For three-part chorus of treble voices with piano acc. By Daniel Wolf & Mabel Livingstone | 30 |
| Water music. For a pianist using also radio, whistles, water containers, deck of cards. m John Cage | 24 |
| What's this world a' comin' to? Co-authors: Willard Robison & R. Richardson, Ain't nobody here but us chickens & 68 other titles | 30 |
| What would I do (without you)? & 3 other titles part 3 | 28 |
| Which one will it be? w & m by Elmer Willette, Tom Everett & The Valaires (pseud. of Bill Burkette, Neil Foster, Hugh Geyer et al.) | 30 |
| Why the duck has a short tail; an American Indian folk tale for narrator & symphony orchestra. m Louis W. Ballard, w Ruth Ballard & Louis W. Ballard | 30 |
| Witch doctor. For concert band, class C. Music: Richard W. Bowles | 30 |
| Work, for the night is coming. SATB. w & m Annie L. Coghill & Lowell Mason. He is coming. SATB. w, m & arr. Gloria Roe, w Annie L. Coghill, m Lowell Mason | 30 |
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