G. Schirmer, Inc. documents |
title | Number of documents |
6 poems of Alexander Blok for baritone and orchestra, Eternal refuge, The Sorrow of past days | 29 |
A Calculation of the ligand field energy levels and the magnetic properties of Cu++ . | 27 |
A Conversation: Thomas J. Watson, Jr. and Walter Cronkite, August 24, 1992, Oak Hill, New Haven, Maine. By the Thomas J. Watson Foundation (employer for hire of Mary Elizabeth Brooner) & Clayton Lee Edwards part 3 | 28 |
Actions speak louder than words, Taking it easy, No waiting any more | 30 |
Adagio. Op. 97 bis. From Cinderella. For violoncello and piano. Music: Serge Prokofieff [i.e. Sergei Prokofiev], editing, special annotations & foreword: Harry Sheldon | 30 |
Adagio. Op. 97 bis. From Cinderella. For violoncello and piano. Music: Serge Prokofieff [i.e. Sergei Prokofiev], editing, special annotations & foreword: Harry Sheldon part 2 | 30 |
Agnus Dei | 30 |
Album for the young cellist. Selections from Album for the young, by P. I. Tschaikowsky, transcribed & edited by Seymour Barab | 30 |
Alexander and the terrible, horrible, no good, very bad day, Souvenirs, The "Why me?" project | 30 |
A Little chicken soup (makes you feel good)!, Fiddlesticks, Athenian folk dance | 30 |
Alleluia, amen. Anthem for bar. solo, SATB and organ. w: biblical, m Kenneth Leighton part 2 | 25 |
Alleluia--"Midsummer blaze", for chorus SATB, 1993 & 24 other titles, Collection of a solitude | 30 |
All hail, Handmaiden of the Trinity = Ave Ancilla Trinitatis ; for three-part chorus of men's voices, a cappella part 2 | 30 |
All hail, Handmaiden of the Trinity = Ave Ancilla Trinitatis ; for three-part chorus of men's voices, a cappella part 3 | 30 |
Alphabet songs for young piano students | 27 |
Amazing grace (used to be her favorite song) (In Stacked deck) No. 26615 (1975) | 30 |
American festival overture, Can I get my way?, Melody maker | 27 |
A midsummer night's dream; in one act. By William Shakespeare; condensed and adapted by Ann Marie Evans, 1952 part 2 | 30 |
And with His stripes we are healed; anthem for mixed voices with soprano & baritone solos, SSATB. Music & arr. Will Foster | 30 |
Anything will do. w James Day, w & m George Arno (George I. Arellano) & B. J. Hart part 2 | 30 |
Aria (for mezzo-soprano, flute, horn, violin, violoncello, and piano), Duo for flute and piano | 30 |
Bach's Prelude and fugue number 2 (a la disco) Arr. & adapted by Manfredo Fest & Jerry Peters | 30 |
Bagatelles. Op. 5. 10 pieces pour piano et orchestre. Musique, revision et doigtes par Alexander Tcherepnin | 29 |
Banda Lamento show de Durango, la original en vivo, El billetero, Fiesta privada | 30 |
Banda Lamento show de Durango, la original en vivo, La suburban diabolica, El narco del ano 2 | 30 |
Banda Lamento show de Durango, la original en vivo, Texana cien X, Il lamento di Tristano | 30 |
Bar'chu (blessed be the Lord who is to be blessed) By Jack Gottlieb, Yevarechecha = Three-fold benediction | 30 |
Bible songs for young voices. For unison, two and three-part voices with piano acc. m Gregg Smith, text selection & paraphrasing: Alicia Adler Smith a.k.a. Alicia Adler Smith Carpenter | 30 |
Black is the color (of my true love's mind) Song. From album Milestone profiles: Joe Henderson part 2 | 30 |
Bridges, Baldwin, Lawler Aug. 2004 NT collection, Do you miss me too?, Dave Baldwin country 1 | 30 |
Bright lights of Brussels. w Don Meyer, m Eddie Layton & Dewey Bergman | 30 |
Buddha knows. w & m Sondi Sodsai, Mary Claudet & Hal Johnson, Round the world, Skooter Sam's Alpha-Bx | 30 |
Caesar was ambitious; musical play. Full orchestra. Words, music & arr. Donald N. Luckenbill, dialogue, words & music: Howard Storm | 28 |
Carefree. For violin & piano. By William Kroll, Average Joe, Banjo and fiddle | 22 |
Cello concerto in B-flat, G 482--andantino grazioso | 30 |
Characterization and treatment of age-dependent cognitive decline in a transgenic mouse model of Alzheimer's Disease | 27 |
Children's songs from Japan. Eng. w & arr. Florence White & Kazuo Akiyama, ill. Toshihiko Suzuki, Japanese w Katsura Shimizu, Ryuha Hyashi, Meishu Kashima, Ujo Noguchi, Takeo Yamagami, Nobu Saito, Masami Inaho, Kyoson Asahara, Uko Nakamura, Seigo Shiratori, Takeshi Inoue, Hanano Gondo, Rhuha Hyashi & Hakushu Kitahara, m Ryutaro Hirota, Tsune Matsushima, Shimpei Nakayama, Nagavo Motoori, Monoru Kainuma, Kosaka Yamada, Kan-Ichi Shimousa, Shin Kasakawa, Kozaburo Hirai & Takeshi Inoue | 26 |
Christian, the morn breaks sweetly o'er thee. For three-part chorus of mixed voices with organ or piano & incidental soprano & baritone soli ad lib. By Harry Rowe Shelley, adapted by G. Schirmer, Inc., employer for hire of Carl Deis part 2 | 27 |
Christmas collections for alto-tenor recorder duet | 30 |
Classical variations (on Colonial themes), Holocaust, Hymnal | 30 |
Cocktail waitress's [sic] blues, Wooden shoes, Paroles douces = | 30 |
Competency-based teacher education and the certification of teachers of classical and modern . | 30 |
Concerto for piano & orchestra & 2,340 other titles. (Part 006 of 015), Bass clef note speller & 38 other titles | 30 |
Concerto for piano & orchestra & 2,340 other titles. (Part 014 of 015) part 2 | 30 |
Concerto for trumpet; solo trumpet with band accompaniment arrangement. Music: Harry James, arr. A. L. Phillips | 30 |
Concerto for violin and chamber orchestra. m Sir Lennox Berkeley | 30 |
Concerto for violin and orchestra: III. presto in moto perpetuo. From Barber: violin concerto, op. 14 & piano concerto, op. 38 | 30 |
Concerto for water percussion and orchestra in memory of Toru Takemitsu, Orchestral theatre II | 26 |
Concerto in do maggiore. Per 2 flauti, 2 salmo, 2 trombe, 2 mandolini, 2 tiorbe, violoncello, archi e cembalo. F. 12, n. 37, t. 318. By Antonio Vivaldi, a cura di Gian Francesco Malipiero part 2 | 30 |
Concerto (piano) arr. by John Kirkpatrick, Piano fantasy, John Henry | 30 |
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