| M. Witmark & Sons. documents |
| title | Number of documents |
|---|
| A Bundle of sweetness. w Carl Sigmon, m George Greeley, ukulele accompaniment Robbins Music Corporation, employer for hire of John Lane | 30 |
| A Cook's tour of the Eastern Shore. By Easton Maryland Memorial Hospital Junior Auxiliary, editor: Mrs. Howard Bloomfield | 30 |
| Adagio. Piano. From Sonata number 14, opus 27, number 2. By Beethoven [i.e. Ludwig VanBeethoven], transcribed for harp by Carlos Salzedo | 30 |
| Agri-benefits health care provider, employer administrations and claims management systems | 29 |
| Ain' gonna call your name (no more times) w Kaye Dunham, m Don Crawford, Tree-top baby & 1 other title; songs | 25 |
| Air for violin and orchestra, Partita, Salsa pasada | 26 |
| America's story, bk. 5, the Civil War years (1850-1876) TX 2-654-921 (1989) | 30 |
| A Salute to America. Orchestra acc. for four part mixed voices S.A.T.B. Text of The American creed: William Tyler Page, music & adaptation of text with additional lyrics: Glad Robinson Youse, arr. for orchestra acc.: Remick Music Corporation, employer for hire of Frank Campbell-Watson | 30 |
| Beautiful isle. w Jessie B. Pounds, m J. S. Fears, arr. for male chorus: Everett L. Anderson | 30 |
| Beautiful soup. No. 3 of three choral settings from Alice in Wonderland, three part women's voices, S.S.A., with piano acc. Words by Lewis Carroll [pseud. of Charles Lutwidge Dodgson], music by Irving Fine | 30 |
| Breath of God. A piano paraphrase on the hymn tune by Robert Jackson, piano arr. M. Witmark & Sons, employer for hire of Jess Meeker | 27 |
| Brother, can you spare a dime? (Kate & Allie, episode no. 558-82), Marriage counselor | 30 |
| City children; song folio. w & m John Cacavas & Bonnie Becker, ill.: M. Witmark & Sons, employer for hire of Leonard Schneider | 30 |
| Education automation; freeing the scholar to return to his studies. By Richard Buckminster Fuller, foreword by Charles D. Tenney | 30 |
| Evening | 30 |
| Face to face (Deasy/McGuire) By Mike Deasy & Barry McGuire | 30 |
| Four pieces for sackbuts and cornetts. By Charles Coleman, edited by Anthony Baines, arr. for brass quintet: Edrich Siebert | 30 |
| Frankie and Johnny | 23 |
| General music in the junior high school; student's workbook. Instructional text & some original music: Frederic Fay Swift & Willard I. Musser | 30 |
| God my King. Text based on Psalm 145, m Frederick Stanley Smith, arr. for 4 part mixed voices S.A.T.B.: M. Witmark & Sons, employer for hire of Frederick Stanley Smith | 30 |
| God my King. Text based on Psalm 145, m Frederick Stanley Smith, arr. for 4 part mixed voices S.A.T.B.: M. Witmark & Sons, employer for hire of Frederick Stanley Smith part 2 | 30 |
| He was called Jesus; pupil's book. By Ethel Tilley, illustrator: Robert Jefferson | 30 |
| Holiday part 4 | 30 |
| Human aggression and conflict: interdisciplinary perspectives, Zoe, CP & 6 other titles | 30 |
| I'd like to be in your your shoes, baby. w & m Larry Larkin, pseud. of Edward Larkin | 30 |
| I don't care what you call he's a mover because what could be better than a quiet in the moonlight Carolina . | 30 |
| If there is someone lovelier than you & 2 other titles, Song of Tahiti. m Belle Fenstock | 30 |
| In the beginning, when God scattered stars into space, he planned treasures for us to discover . part 6 | 30 |
| Introduction to microcomputer word processing with accompanying MicroUSE-Word software, with BDM software part 2 | 30 |
| I travel far but take no rest. Four part male voices, T.T.B.B., a cappella with tenor solo. m & Basque w Pablo Sorozabal, English w M. Witmark & Sons, employer for hire of Jean Reynolds Davis | 30 |
| Journal of ultrastructure research. Suppl. 7: electron optical and x-ray diffraction studies of the organization of the inorganic crystals in embryonic bovine enamel. By Melvin J. Glimcher & Dorothy F. Travis | 26 |
| Lawrence Staccato (gets his private eyes crossed) For studio orchestra (5 woodwinds, 6 brass, 5 rhythm). w Eddie Brandt, Les Ecklund, m Carl E. Brandt | 30 |
| Leprechaun serenade. For violin & piano. Music by Eric DeLamarter, Music for the ballet class | 30 |
| Magnificat. For two equal voices with congregation or unison choir and organ. w, vesper and canticle, Luke 1:46-56, m C. Alexander Peloquin | 30 |
| May you ever, ever prosper! From Cantata no. 207: Auf, schmetternde Toene. By Johann Sebastian Bach, text possibly by: Christian Friederich Henrici, English translation: Henry S. Drinker, arr. of the transcription & editing for three part women's voices S.S.A.: M. Witmark & Sons, employer for hire of Clara Tillinghast | 30 |
| Mush, mush, mush, tural-I-addy. New words: Sean O'Casey, pseud. & Dennis O'Casey, pseud. of Irving Taylor, arr. & music: Sean O'Casey, pseud. & Dennis O'Casey, pseud. of Arthur Altman | 30 |
| Nina; canzonetta. For three-part chorus of women's voices with piano acc. m Giovanni Battista Pergolesi, English w, musical arr. & edition: Walter Rodby, musical arr. & edition: Joseph Roff part 2 | 30 |
| Now the day is over/an offering | 28 |
| O lovely peace. From Judas Maccabaeus. Three part mixed voices, S.A.B. with optional tenor. Music: G. F. Handel [i.e. George Frederick Handel], arr. M. Witmark & Sons, employer for hire of T. Frederick H. Candlyn | 30 |
| Physical foundations of radiology. By Otto Glasser, Edith H. Quimby, Lauriston S. Taylor & A. J. L. Weatherwax | 29 |
| Please think of me. m Sam Cooke (a.k.a. Sam Cook), w Jerome L. Henderson | 30 |
| Prayer of Saint Francis. Four-part mixed voices, S.A.T.B. Music & paraphrasing of text by M. Searle Wright | 30 |
| Requiem. Op. 9. Pour soli, choeurs, orchestre, et orgue. Reduction pour chant, orgue, et quintette a cordes (harpe, trompette, et timbales ad libitum): Maurice Durufle | 30 |
| Scales, chords, and arpeggios; basic piano technics. Text: Ralph Milligan, The Dream of the little drum major. By Ralph Milligan | 20 |
| Serenata, opus 6. By Enrico Toselli, arr. for piano: Lynn Palmer, pseud. of William Henry Richardson | 30 |
| Spring part 4 | 30 |
| Square dance samba & 37 other titles part 2 | 30 |
| Stranger in Paradise. From the Broadway production, Kismet. w & m Robert Wright & George Forrest, arr. for marching band: Frank Music Corporation, employer for hire of Bill Moffit | 30 |
| Stranger in Paradise. From the Broadway production, Kismet. w & m Robert Wright & George Forrest, arr. for marching band: Frank Music Corporation, employer for hire of Bill Moffit part 2 | 30 |
| Striving after God. 4 part mixed voices, S.A.T.B., a cappella. m M. Witmark & Sons, employer for hire of Undine S. Moore, w Michelangelo Buonarroti | 28 |
| Sugar and spice. w & m Gary Zafra, 1956-, Mario Zafra, The Dell Rose collection | 29 |
| Suite for organ. From the Little notebook for Anna Magdalena Bach. m (arr. for organ): E. Power Biggs, m Johann Sebastian Bach | 30 |
| Thanksgiving is for what we have. By Bettina Peterson, illustrated by Jan Norton (Mrs. Alfred Norton) | 30 |
| That's the way the cookie crumbles. w & m William Barry, Brainerd Kremer & Ray Sterling (Raymond Sterling) part 2 | 25 |
| The Fool | 30 |
| The Freight train; piano solo. Music: Louise Christine Rebe, Soft shoe dance. m Louise Christine Rebe | 30 |
| The Heavens are telling. From The Creation. For two part chorus of women's voices with piano or organ acc. By Josef Haydn [i.e. Joseph Haydn], adapted by Carl Deis | 29 |
| The Lady killer. From the Warner Bros. TV series Bourbon Street beat. m Don Ralke | 30 |
| The Milky Way galaxy: man's exploration of the stars. By Ben Bova (Benjamin W. Bova) | 30 |
| The Money tree. w Cliff Ferre, m Mark McIntyre, arr. for dance orchestra: Johnny Warrington | 30 |
| There shall be showers of blessing. Arr. for male chorus: Everett L. Anderson | 30 |
| The San Francisco Forty-Niners song. w Walt Lee (Walter F. Lee), m Charlie Smith (Charles H. Smith) | 30 |
| The White Knight's song. No. 2 of three choral settings from Alice in Wonderland, two part treble voices, S.A., with soprano solo, with piano acc. Words by Lewis Carroll [pseud. of Charles Lutwidge Dodgson], music by Irving Fine | 30 |
| Three classic miniatures. m Franz Joseph Haydn, Georg Philipp Telemann & Henry Purcell, arr. for band: Music Publisher Holding Corporation, employer for hire of Leroy Jackson, pseud. of John Kinyon | 30 |
| Time to smile. From A big hand for the little lady. w John H. Mercer, m Les Brown, J. Hill & Geoff Clarkson | 30 |
| Two-in-one; a collection of concert favorites & popular favorites with preparatory etudes. Editing & arr. Robbins Music Corporation, employer for hire of Mischa Portnoff | 26 |
| Walt Disney The Shaggy dog. By Walt Disney Productions, as employer for hire of Charles Spain Verral (story adaptation) & Rus Anderson (pictures) | 30 |
| What's the use of havin' honey (if there ain't no bee to buzz aroun') E558937 (1923) Termination effective 3Jan80 part 3 | 30 |
| What would we do without clothing? From Curiosity shop. w Larry Markes, Mel Weinstein, m Dean Elliot | 30 |
| When the roll is called up yonder / When we all get to heaven | 30 |
| When the ship comes in. w & m Bob Dylan (Robert Dylan), arr. for vocal solo, vocal trio & guitar acc.: M. Witmark & Sons, employer for hire of Jerry Sears part 2 | 30 |
| Where in the world (but in America) By Fred Waring, Glenn Rowell & Jack Dolph | 27 |
| Why can't you be true (to the one who loves you) By Danny DiMinno & Carmen Lombardo part 3 | 30 |
| Won't you ever get together with me? Words & music: Billy May (William May), Warren Foster & Alan Livingston | 28 |
| Yield not to temptation. Arr. John T. Benson, Jr., employer for hire of Cyril McLellan | 30 |
| You knew you'd hurt somebody, why did it have to be me? & 1 other title, Under the sweetheart tree | 30 |
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